Stevie Ray Vaughan - Texas Flood (2LP, Coffret, 1STEP, 45 tours, SuperVinyl)
Prix habituel
€395,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER
Stevie Ray Vaughan : guitar and vocals [click here to see more vinyl featuring Stevie Ray Vaughan]
Tommy Shannon : bass
Chris “Whipper” Layton : drums
2 LPs, Box set
Limited to 7,000 numbered copies
Original analog Master tape : YES
UltraDisc One-Step
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 45 RPM
Size : 12'’
Stereo
Studio & Live (B1, C2)
Record Press : RTI
Label : MOFI
Original Label : Epic
B1, C2 recorded live at The Palace, Hollywood, California on September 23rd 1983. Other tracks recorded at Down Town Studio, Los Angeles, CA and Riverside Sound, Austin, Texas, on November 22nd, 23rd & 24th 1982.
Recording Engineer: Richard Mullen. Recording Assistant : James Geddes.
Mixed at: Media Sound, NYC by Lincoln Clapp
Vocals on “I’m Cryin’” recorded at Media Sound with Lincoln Clapp
Produced by Richard Mullen, Stevie Ray Vaughan And Double Trouble
Remastered by Krieg Wunderlich
Originally released in 1983
Reissued in 2019
Tracks:
Side A :
- Love Struck Baby
- Pride And Joy
Side B:
- Texas Flood
- Tell Me
- Testify (live)
Side C:
- Rude Mood
- Mary Had A Little Lamb (live)
- Dirty Pool
Side D:
- I’m Cryin’
- Lenny
Awards:
TAS Super LP List! Special Merit: Informal
Reviews:
« It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet muscular soloing or Larry Davis' emotive singing. There's a certain element of truth in that, but that was sort of the point of Texas Flood. Vaughan didn't hide his influences; he celebrated them, pumping fresh blood into a familiar genre. When Vaughan and Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times; he knew how to turn this material inside out or goose it up for maximum impact. The album is paced like a club show, kicking off with Vaughan's two best self-penned songs, "Love Struck Baby" and "Pride and Joy," then settling into a pair of covers, the slow-burning title track and an exciting reading of Howlin' Wolf's "Tell Me," before building to the climax of "Dirty Pool" and "I'm Crying." Vaughan caps the entire thing with "Lenny," a lyrical, jazzy tribute to his wife. It becomes clear that Vaughan's true achievement was finding something personal and emotional by fusing different elements of his idols. Sometimes the borrowing was overt, and other times subtle, but it all blended together into a style that recalled the past while seizing the excitement and essence of the present. » AllMusic Review by Stephen Thomas Erlewine
UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Ratings :
AllMusic : 5 / 5 , Discogs : 4.56 / 5 , The Absolute Sound : 4/5 Music, 4.5/5 Sonics