Charles Mingus - Mingus Ah Um (2LP, 45RPM) - AudioSoundMusic
Charles Mingus - Mingus Ah Um (2LP, 45RPM) - AudioSoundMusic
Charles Mingus - Mingus Ah Um (2LP, 45RPM) - AudioSoundMusic
Charles Mingus - Mingus Ah Um (2LP, 45RPM) - AudioSoundMusic
Charles Mingus - Mingus Ah Um (2LP, 45RPM) - AudioSoundMusic
Charles Mingus - Mingus Ah Um (2LP, 45RPM) - AudioSoundMusic

Charles Mingus - Mingus Ah Um (2LP, 45 tours)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Charles Mingus, bass, piano [click here to see more vinyl featuring Charles Mingus]

John Handy, alto & tenor sax, clarinet

Booker Ervin, tenor sax [click here to see more vinyl featuring Booker Ervin]

Shafi Hadi, tenor & alto sax

Willie Dennis (A1, B1 to C1), Willie Dennis (A2 to B3), trombone

Jimmy Knepper, trombone

Horace Parlan, piano [click here to see more vinyl featuring Horace Parlan]

Dannie Richmond, drums

Composed by Charles Mingus

 

2 LPs, Deluxe Laminated Gatefold Jackets

Limited to 2,500 numbered copies

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : RTI

Label : ORG

Original Label : Columbia

Recorded at Columbia 30th Street Studio, NYC in May 1959.

Produced by Teo Macero

Remastered by Bernie Grundman

Originally released in 1959

Reissued in 2012

 

Tracks:

Side A:

  1. Better Git It In Your Soul
  2. Goodbye Pork Pie Hat

Side B:

  1. Boogie Stop Shuffle
  2. Self-Portrait In Three Colors
  3. Open Letter To Duke

Side C:

  1. Bird Calls
  2. Fables Of Faubus

Side D:

  1. Pussy Cat Dues
  2. Jelly Roll

 

Awards:

TAS Super LP List! Special Merit: Informal

Rolling Stone Greatest Albums of All Time - Ranked 379

The Absolute Sound 40th Anniversary Best Sounding Music

 

Reviews:

“Charles Mingus' debut for Columbia, Mingus Ah Um is a stunning summation of the bassist's talents and probably the best reference point for beginners. While there's also a strong case for The Black Saint and the Sinner Lady as his best work overall, it lacks Ah Um's immediate accessibility and brilliantly sculpted individual tunes. Mingus' compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um. The band includes longtime Mingus stalwarts already well versed in his music, like saxophonists John Handy, Shafi Hadi, and Booker Ervin; trombonists Jimmy Knepper and Willie Dennis; pianist Horace Parlan; and drummer Dannie Richmond. Their razor-sharp performances tie together what may well be Mingus' greatest, most emotionally varied set of compositions. At least three became instant classics, starting with the irrepressible spiritual exuberance of signature tune "Better Get It in Your Soul," taken in a hard-charging 6/8 and punctuated by joyous gospel shouts. "Goodbye Pork Pie Hat" is a slow, graceful elegy for Lester Young, who died not long before the sessions. The sharply contrasting "Fables of Faubus" is a savage mockery of segregationist Arkansas governor Orval Faubus, portrayed musically as a bumbling vaudeville clown (the scathing lyrics, censored by skittish executives, can be heard on Charles Mingus Presents Charles Mingus). The underrated "Boogie Stop Shuffle" is bursting with aggressive swing, and elsewhere there are tributes to Mingus' most revered influences: "Open Letter to Duke" is inspired by Duke Ellington and "Jelly Roll" is an idiosyncratic yet affectionate nod to jazz's first great composer, Jelly Roll Morton. It simply isn't possible to single out one Mingus album as definitive, but Mingus Ah Um comes the closest.” AllMusic Review by Steve Huey

"At a memorial following Mingus' death, Steve Schlesinger of the Guggenheim Foundation commented that Mingus was one of the few artists who received two grants and added: 'I look forward to the day when we can transcend labels like jazz and acknowledge Charles Mingus as the major American composer that he is.' The New Yorker wrote: 'For sheer melodic and rhythmic and structural originality, his compositions may equal anything written in western music in the twentieth century.'" All About Jazz

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4,64 / 5

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