Bruch - Concerto in G Minor, Mozart - Concerto in D Major - Jascha Heifetz and Malcolm Sargent (200g)
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€59,00
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Max Bruch - Concerto For Violin And Orchestra No. 1 In G Minor, Op. 26
Wolfgang Amadeus Mozart - Concerto In D Major Nr. 4, KV 218
Jascha Heifetz, violin
New Symphony Orchestra of London
Sir Malcolm Sargent, conductor
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 200g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions
Original Label : RCA
Remastered by Ryan Smith at Sterling Sound
Produced by Eric Schmith
Originally released in 1962
Reissued in 2018
Tracks :
Side A : Bruch - Concerto For Violin And Orchestra
- Vorspiel. Allegro Moderato; Adagio
- Satz: Adagio
- Satz: Finale. Allegro Energico
Side B : Mozart - Concerto In D Major
1. Satz: Allegro
2. Satz: Andante Cantabile
3. Satz: Rondeau
2. Satz: Andante Cantabile
3. Satz: Rondeau
Awards:
TAS Super LP List! Special Merit: Classical
Reviews :
Analogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all!
Mastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1/3, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 200-gram platters available.
Violinist Jascha Heifetz, playing with the New Symphony Orchestra of London, conducted by Sir Malcolm Sargent. Heifetz was the leading figure among the extraordinary group of Russian Jews who dominated violin playing in the second and third quarters of the 20th century.
As a technician he had no superior, and, of all the artists of his time and later, only two or three could even offer a challenge to his electrifying precision of execution. His diamond-point tone and quick vibrato afforded his playing a clarity of line that some felt was almost too perfect, even cold. Most conductors and other violinists and audiences felt differently and a Heifetz concert inevitably drew sell-out crowds
Ratings :
Discogs : 4.77 / 5