Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE
Max Richter - Voices 2 AUDIOPHILE

Max Richter - Voices 2 (2LP)

€65,00
banner
NOUS NE POUVONS PAS NOUS ENGAGER SUR UNE DATE DE LIVRAISON POUR LES VINYLES & CD/SACD EN PRE-COMMANDE
Les Labels prennent parfois plusieurs mois pour livrer les vinlyes & CD/SACD en pré-commande
worldwide-delivery
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.




Piano, Organ, Synthesizer – Max Richter

Alto Vocals – Amy Blythe, Elisabeth Paul, Lizzie Drury, Hannah Cooke, Martha McLorinan, Sophie Overin

Soprano Vocals – Emily Dickens, Grace Davidson, Hannah Ely, Isabella Gibber, Josephine Stephenson, Rachel Haworth, Victoria Meteyard

Cello – Ashok Klouda, Ayako Halder, Chris Worsey, Chris Allan, Dave Daniels, Davina Shum, George Hoult, Heeyeon Cho, Helen Rathbone, Ian Burdge, Ivan Hussey, James Douglas (4), Jess Cox, Katherine Jenkinson, Lydia Dobson, Madeleine Ridd, Nick Cooper, Paul Kegg, Rachel Lander, Samantha Ginsberg, Sara Hajir, Sophie Harris, Tony Willard

Double Bass – Andy Marshall, Beth Symmons, Beverley Jones, Jack Cherry, Laurence Ungless, Leon Bosch, Lucy Shaw, Martin Lüdenbach, Nicola Davenport, Rhian Porter, Richard Pryce, Roger Linley, Stacey Watson

Harp – Camilla Pay

Percussion – Joby Burgess

Soloist, Cello – Ian Burdge

Soloist, Violin – Mari Samuelsen

Viola – Bruce White, Clifton Harrison, Elisa Bergersen, Emma Sheppard, Nick Barr, Oak Lau, Rachel Robson, Reiad Chibah

Violin – Ani Batikian, Claire Kohda Hazelton, Daniel Bhattacharya, Elspeth MacLeod, Eva Thorarinsdottir, Everton Nelson, Gillon Cameron, Hazel Correa, Ian Humphries, Jamie Hutchinson, Juan Gonzalez, Kotono Sato, Marianne Haynes, Nicolette Kuo, Oli Langford, Preetha Narayanan, Raja Halder, Richard George, Rick Koster, Samantha Wickramasinghe, Tom Pigott-Smith, Zara Benyounes

Narrator – KiKi Layne

Conductor – Robert Ziegler

Written by Max Richter



2 LPs, gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Optimal Media GmbH

Label : Decca

Original Label : Decca

Recorded at Abbey Road Studios and London Air Studios, London

Recorded and engineered by Rupert Coulson

Mixed by Max Richter, Rupert Coulson at Air Lyndhurst Studios

Produced by Max Richter

Executive Producer - Yulia Mahr

Mastered by Mandy Parnell at Black Saloon Studio

Cover Art - by Yulia Mahr

Design by Alex Sprogis, Charlie Drinkwater

Originally released in July 2020

Reissued in April 2024

Tracks :

Side A:

  1. All Human Beings
  2. Origins
  3. Journey Piece

Side B:

  1. Chorale
  2. Hypocognition
  3. Prelude 6

Side C:

  1. Murmuration
  2. Cartography

Side D:

  1. Little Requiems
  2. Mercy

           

          Reviews:

          "I described VOICES “a piece of music as a place to think”, and VOICES 2 develops this principle. In a sense this second record is a space to look at the questions raised by the first record.  Building on the musical material of the first record, VOICES 2 extends the musical language into a purely instrumental and abstract direction. Where the first part of the project is very focussed on the text of The Universal Declaration Of Human Rights, the 2nd part opens up a musical space to let these words and ideas sink in. Mercy, the last track on the first record becomes in this new configuration not the end, but the mid-point of the project and, as the music progresses, the DNA of Mercy increasingly permeates the entire musical landscape.  The music was in large part recorded as part of the original sessions and features the same dedicated band of players. Some additional recording had to be done during the months of lockdown; I will never forget recording the solo piano music in the vast spaces of the eerily deserted Studio 1 at Abbey Road.

          Following up on his deeply resonating album Voices (Decca, 2020) which found its inspiration in the Universal Declaration of Human Rights, and centred on the messages it sent in these problematic, dark political times, composer Max Richter comes up with a follow-up entitled Voices 2, and the results are mesmerizing. Most of the album was recorded during the same sessions that produced Voices, with additional sessions during lockdown when Richter recorded some of the solo piano parts at Abbey Road studios.

          Unlike Voices, where the compositions featured readings of excerpts from the Declaration by various speakers in their native languages and the music quietly but strongly bolstered the sentiments and messages behind the texts, this time the music offers more reflective and introspective themes than before from Richter. The music has an organic quality, often developing from a string theme. The tinkling, lulling piano and lush, soothing strings feel so grounding and centring and so wholly peaceful. On Voices 2, ambient and classical sounds collide throughout the record, evoking the feeling of drifting into a serene hideaway.

          The opening composition "Psychogeography" has serene energy which perfectly encapsulates the atmosphere that unfolds across the rest of the album as it gently pushes towards more pensive and reflective states. The album as a whole feels innately optimistic, even when the melodic choices feel nostalgic and decidedly melancholic. As a result, the compositions, with their gentle and immersive nature, are a welcome respite from the noise and turbulences that have marked this period of so much political, social, and health uncertainty and unrest.

          It is evident that Richter has shown his soul in creating this record. This also includes the initial Voices record of which Voices 2 is a natural evolution. Voices 2 offers solace to the isolated and the world-weary and gives hope for the future. If music is how we cope with the situation in which we have found ourselves, then Richter has provided us with an incredible means to cope with a difficult period that we all are in. Voices 2 is an album of bright sincerity." All About Jazz Reviews by Nenad Georgievski.

           

          “Like 'Recomposed' and 'Sleeping', 'Voices' could have been overdone, but wasn't. It's not triumphant or strident; it doesn't pound or promise. It's almost light. The music is dark at times but never so heavy-handed as to suggest foreshadowing or parable - approaches Richter isn't always above taking. The production is precise, even subtle. Sure, Richter's trademark reverb-soaked strings are here, but the soloists in the foreground (voices, piano, flute) are surprisingly dry. It might all be a bit obvious, but then 'obvious' is what this declaration should be.” Fred Kaplan, Stereophile

           

          Ratings :

          Discogs : 4.4 / 5 ; Stereophile: Performance 3 / 5, Sonics 4 / 5

          Vu récemment