Oscar's Motet Choir - Cantate Domino (3LP, 33 & 45RPM, 1STEP) - AudioSoundMusic
Oscar's Motet Choir - Cantate Domino (3LP, 33 & 45RPM, 1STEP) - AudioSoundMusic
Oscar's Motet Choir - Cantate Domino (3LP, 33 & 45RPM, 1STEP) - AudioSoundMusic
Oscar's Motet Choir - Cantate Domino (3LP, 33 & 45RPM, 1STEP) - AudioSoundMusic

Oscar's Motet Choir - Cantate Domino (3LP, 33 & 45 tours, 1STEP)

€229,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Soprano Vocals, Soloist – Marianne Mellnäs

Alto Vocals – Ann-Charlotte Mellvig, Anne-Christine Berg, Britta Théren, Catharina Tufvesson, Cecilia Ölmedahl, Eva Lötin, Ingela Björkén, Karin Heurling, Susanna Adlercreutz, Viveka Svahn

Bass Vocals – Anders Wykman, Bengt Lindberg, George Fink, Göran Swartz, Jan Switz, Lars Bergquist, Nils Sprangenberg, Ola Kyhlberg, Sture Hedin, Sven Törnberg

Soprano Vocals – Anna Kyhlberg, Elisabeth Bjurner, Elisabeth Borgström, Elisabeth Rosengren, Gudrun Rosendahl, Inger Therén, Kerstin Edström, Maria Strindberg, Yvonne Karlsson

Tenor Vocals – Hans-Ola Eriksson, Marcello Breschi, Nils Philipson, Roland Hogman, Ulrik Qvale

Choir – Oscars Motettkör

Chorus Master – Torsten Nilsson

Trombone – Christer Torgé, Lennart Jältfors

Trumpet – Mark Schrello, Wirde Nilsson

Organ – Alf Linder

Arranged by Malcolm Sargent (A7, B7, D5), John Rutter (B1, E1), Albert Lindström (B2, E2), Hanns Miessner (B4, E4)

Written by Enrico Bossi (A1, C1), J G Walther (A2, C2), Paul Nilsson (A3, D1), Otto Olsson (A3), Georg Friedrich Händel (A4, D2), Georg Joseph Vogler (A5, D3), Malcolm Sargent (A7, B7, D5), Adolphe Adam (B2, E2), Laurentius Jonae (B3, E3), Joseph Mohr (B4, E4), Franz Gruber (B4, E4), Max Reger (B5, F1), Otto Olsson (B6, F2), Irving Berlin (B8, F4)


3 LP, standard sleeve with a 16-Page booklet

Limited numbered edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : Black

Speed : 33RPM (LP1) & 45RPM (LP2 & 3)

Size : 12'’

Stereo

Studio

Record Press : Optimal Media in Germany

Label : Audionautes Recordings

Original Label : Proprius

Recorded from January 23 to 25 and April 29 1976 in Oscarskyrkan, Stockholm

Engineered by Bertil Alving

Produced by Jacob Boëthius

Mastered by Scott Hull at Masterdisk!

Front cover by Robert Turner

Layout by Lars Göransson

Liner Notes by Günther Niemeyer

Photography by Studio Landfeldt & Nilsson, Malms

Originally released in 1976

Reissued in 2023

 

Tracks :

Side A:

  1. Cantante Domino
  2. Konsert For Orgel, A-Dur
  3. Advent
  4. Dotter Sion, Frojda Dig
  5. Hosianna Davids Son
  6. Frojda Dig, Du Kristi Brud
  7. Lullaby

Side B:

  1. Il Est Ne Le Divin Enfant
  2. Julsang
  3. Den Signade Dag
  4. Stille Nacht
  5. Mariae Wiegenlied
  6. Jul
  7. Zither Carol
  8. White Christmas

Side C:

  1. Cantante Domino
  2. Konsert For Orgel, A-Dur

Side D:

  1. Advent
  2. Dotter Sion, Frojda Dig
  3. Hosianna Davids Son
  4. Frojda Dig, Du Kristi Brud
  5. Lullaby

Side E:

  1. Il Est Ne Le Divin Enfant
  2. Julsang
  3. Den Signade Dag
  4. Stille Nacht

Side F:

  1. Mariae Wiegenlied
  2. Jul
  3. Zither Carol
  4. White Christmas

 

Reviews :

AudioNautes proudly offers this one-step limited edition version of Cantate Domino, featuring the program as a single 33 1/3 LP and as a 2LP 45 RPM recording. Recorded by Bertil Alving in 1976, Cantate Domino is famous for its incredible sound quality. The album begins with Enrico Bossi's "Cantate Domino" for choir, organ, trumpets and trombones. A wonderful piece with a stunning organ introduction. Included are also works by Handel, Otto Olsson, Adam and some Swedish folk songs. A famous reference record.

 

One Step. Instead of utilizing the industry-standard three-step lacquer process, one-step plating uses only one step, bypassing two processes of generational loss. One-step plating skip the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass. Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.


Rating:

Discogs : 4.57 / 5

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