The French Touch (Dukas, Saint-Saens, Ravel) - Charles Munch & The Boston Symphony Orchestra (Limited numbered edition - Number 140) - AudioSoundMusic
The French Touch (Dukas, Saint-Saens, Ravel) - Charles Munch & The Boston Symphony Orchestra (Limited numbered edition - Number 140) - AudioSoundMusic
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The French Touch (Dukas, Saint-Saens, Ravel) - Charles Munch & The Boston Symphony Orchestra (Limited numbered edition - Number 140) - AudioSoundMusic
The French Touch (Dukas, Saint-Saens, Ravel) - Charles Munch & The Boston Symphony Orchestra (Limited numbered edition - Number 140) - AudioSoundMusic

La touche française (Dukas, Saint-Saëns, Ravel) - Charles Munch & The Boston Symphony Orchestra (Edition limitée numérotée - Numéro 140)

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Paul Dukas  - The Sorcerer's Apprentice

Camille Saint-Saens - Omphale's Spinning Wheel symphonic poem in A major, Op. 31

Maurice Ravel  - Mother Goose Suite (Ma Mere L'Oye)

The Boston Symphony Orchestra

Charles Munch, conductor

 

1 LP,  standard sleeve

Limited numbered edition - number 140

Original analog Master tape : YES

Heavy Press : 200g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Quality Record Pressings

Label : Analogue Productions

Original Label : RCA

Recorded November 4, 1957 (Dukas & Saint-Saëns) and February 19, 1958 (Ravel)

Remastered by Ryan K. Smith at Sterling Sound


Originally released in 1958

Reissued in 2023





Tracks :

Side A :

  1. Dukas - The Sorcerer's Apprentice
  2. Saint-Saens - Omphale's Spinning Wheel, Op. 31

Side B :

  1. Pavane Of The Sleeping Beauty
  2. Hop-O'-My-Thumb
  3. Laideronette, Empress Of The Pagaodas
  4. Beauty And The Beast Converse
  5. The Fairy Garden




    Awards
    :

    TAS Super LP List! Special Merit: Collections



    Reviews
    :

    Fritz Reiner conducts the Vienna Philharmonic Orchestra. This Strauss recording uniting RCA star Fritz Reiner with the Vienna Philharmonic (one of Decca's star orchestras), was released in 1959, marking the first fruit of an agreement that in return for loaning RCA some of their artists, Decca was permitted to distribute RCA recordings throughout the U.K. and Europe. In addition, Decca agreed to record under license some of their own artists, in sessions paid for and sponsored by RCA, for release on the Red Seal label. High Fidelity, at the time of the original release, called it "as fine an example as we have of Reiner's preeminent place among the living disciples of Richard Strauss."

    Recorded by Decca engineer James Brown in Vienna's Sofiensall, the sound is as tubby as a Bavarian burgher. The playing is, as advertised, first-rate



    Ratings

    Discogs : 4.75 / 5


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