Miles Davis - Vol. 2 (Mono)
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€35,00
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COMPILATION
Trumpet – Miles Davis [click here to see more vinyl featuring Miles Davis]
Alto Saxophone – Jackie McLean (A3, A6) [click here to see more vinyl featuring Jackie McLean]
Bass – Oscar Pettiford (A3, A6) [click here to see more vinyl featuring Oscar Pettiford]
Bass – Percy Heath (A1-2, A4-5, B1-5)
Drums – Art Blakey (A1-2, A4-5, B1-5) [click here to see more vinyl featuring Art Blakey]
Drums – Kenny Clarke (A3, A6) [click here to see more vinyl featuring Kenny Clarke]
Tenor Saxophone – Jimmy Heath (A4-5, B4)
Trombone – Jay Jay Johnson (A3-6, B4) [click here to see more vinyl featuring Jay Jay Johnson]
Piano – Horace Silver (A1-2, B1-3, B5) [click here to see more vinyl featuring Horace Silver]
Piano – Gil Coggins (A3-6, B4)
Written by Miles Davis (A1-A2, B2-B3), Dizzy Gillepsie (A3), Walter Gilbert Fuller (A4-A5), Ray Brown (A5), Jackie McLean (A6), Thelonious Monk (B1), Bud Powell (B4), Rodgers & Hart (B5)
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Mono
Studio
Record Press : Optimal Media GmbH in Germany
Label : Blue Note Classic Vinyl Series
Original Label : Blue Note
Recorded April 20, 1953 at the WOR Studios, NYC, on May 9, 1952 (A3, A6), on April 20, 1953 (A4, A5, B4) and at Rudy Van Gelder Studio, Hackensack, NJ, on March 6, 1954 (A1-2, B1-3)
Recorded by Rudy Van Gelder (A1-2, B1-3)
Produced by Alfred Lion
Remastered by Kevin Gray
Design by Hermansader, Miles
Liner Notes by Leonard Feather
Photographed by Francis Wolff
Originally released in 1953
Originally released in February 1964
Reissued in March 2024
Tracks :
Side A:
- Take Off
- Weirdo
- Wouldn’t You
- I Waited For You
- Ray’s Idea
- Donna
Side B:
- Well You Needn’t
- The Leap
- Lazy Susan
- Tempus Fugit
- It Never Entered My Mind
Reviews :
"Like Miles Davis, Vol. 1, this set features arrangements in the order that they were recorded. (Vol. 2 contains the second Blue Note session, while Vol. 1 focused on the first and third.) This 1953 date was the most inspired, overtly beboppish of Davis' three Blue Note sessions -- an ambitious showcase for modern jazz's greatest composers (J.J. Johnson, Ray Brown, Bud Powell, Jimmy Heath, Walter Fuller, and Dizzy Gillespie), and a remarkable rhythm section (drummer Art Blakey, bassist Percy Heath, and the obscure pianist Gil Coggins). A dynamic front line of Davis, trombonist J.J. Johnson, and the bassist's brother Jimmy Heath on tenor saxophone, gives each tune big-band weight and texture. J.J. Johnson's lilting "Kelo" and tragic "Enigma" proceed from the orchestral tradition of Birth of the Cool, and his taut, velvety, tenor trombone counterpoint contrasts nicely with Davis' burnished mid-range and brassy cry. Tenor man Jimmy Heath seems to take the Basie and Gillespie big bands as the jumping-off point for his jazz classic "C.T.A.," and ends his own solo with an affectionate nod to Lester Young. Davis' ballad turn on "I Waited for You" is one of his most alluring performances, while his effortless swing on "C.T.A." and "Ray's Idea" sums up his innovations in blues phrasing. But his solo and arrangement on "Tempus Fugit" are simply transcendent. This Bud Powell anthem for modernists generates a challenging set of symphonic variations, driven along by the emotional intensity of Art Blakey. The joy with which Davis and Blakey morph between swing and Afro-Cuban rhythms, blues, and bop phrasing, is what jazz is all about.” AllMusic Review by Rovi Staff
Ratings:
Ratings : AllMusic : 4 / 5 ; Discogs : 4.32 / 5