Jerry Garcia and David Grisman - Garcia/Grisman (Hybrid SACD, Ultradisc UHR)
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Jerry Garcia – guitar, vocals
David Grisman – mandolin
Jim Kerwin – bass
Joe Craven – percussion, fiddle
1 Hybrid SACD, Ultradisc UHR
Limited numbered edition
Original analog Master tape : YES
Stereo
Studio
Label : MOFI
Original Label : Acoustic Disc
Recorded Spring 1991 at Dawg Studios, Los Angeles
Engineered by Decibel Dave, Dawg, Jerry
Produced by David Grisman, Jerry Garcia
Remastered by Krieg Wunderlich
Originally released in 1991
Reissued in 2014
Tracks:
- The Thrill Is Gone
- Grateful Dawg
- Two Soldiers
- Friend of the Devil
- Russian Lullaby
- Dawg’s Waltz
- Walkin’ Boss
- Rockin’ Chair
- Arabia
Reviews :
"This Grammy-nominated disc heralds the origins of the highly acclaimed acoustic duo of Jerry Garcia (guitar/vocals) and David "Dawg" Grisman (mandolin). They had been chums for years by the time they began their direct partnership in earnest on December 7, 1990, with a nine-song set at the Sweetwater in Mill Valley, CA. Over half of that material would be reworked the following spring -- for inclusion on this disc -- at Grisman's newly appointed, plush, and well-lit Dawg Studios. Along with David Grisman Quintet members Jim Kerwin (bass) and Joe Craven (percussion/fiddle), Garcia and Grisman revive a few familiar tunes covering every dimension of popular music, ranging from the blues ("The Thrill Is Gone") to folk-rock ("Friend of the Devil"), as well as pop music standards such as Irving Berlin's "Russian Lullaby" -- which Garcia had previously covered on his 1974 Garcia (Compliments) album -- and Hoagy Carmichael's "Rockin' Chair." They also examined the origins of authentic traditional folk ("Walkin' Boss"/"Two Soldiers"). Additionally, the pair collaborated on the original instrumental "Grateful Dawg," which coalesces the distinct styles of Grisman's "Dawg Music" with Garcia's Grateful Dead intonations. The results are categorically brilliant and undoubtedly helped usher in the contemporary bluegrass and progressive bluegrass movements. Grisman's sonically perfected studio coupled with his decades of hands-on engineering and producing expertise helped immensely in capturing and accurately reproducing their unaffected acoustic intimacy. Nowhere is this more evident than the 16-plus minute "Arabia" -- which would become a showstopper once they hit the road in the early '90s. The sound quite literally envelopes the listener, who autonomically becomes drawn into the track as it twists and slithers through several different movements -- including the central theme, credited in the liner notes as being based on the traditional Cuban melody "Hasta Siempre." All dimensions of "unplugged" enthusiasts who have not already made Jerry Garcia/David Grisman a top priority are strongly encouraged to do so." AllMusic Review by Lindsay Planer
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 4,5 / 5 , Discogs : 4,74 / 5