Howard McGhee - The Return Of Howard McGhee (Mono)
Prix habituel
€35,00
DELAIS MOYEN D'EXPEDITION : 2 A 4 JOURS OUVRES
Délais de livraison variables suivant les pays de destination
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Howard McGhee (trumpet) [click here to see more vinyl featuring Howard McGhee]
Percy Heath (bass)
Philly Joe Jones (drums) [click here to see more vinyl featuring Philly Joe Jones]
Sahib Shihab (sax)
Duke Jordan (piano) [click here to see more vinyl featuring Duke Jordan]
1 LP, standard sleeve
Limited edition
Original analog Master tape: YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Mono
Studio
Record Press: Pallas
Label: Pure Pleasure Records
Original Label : Bethlelem
Recorded in NYC, October 22, 1955 by Frank Abbey
Produced by Frank Abbey
Re-mastering by Ray Staff at Air Mastering, Lyndhurst Hall, London
Originally released in 1956
Reissued in January 2014
Tracks :
Side A :
1. Get Happy
2. Tahitian Lullaby
3. Lover Man
4. Lullaby Of The Leaves
5. You're Teasing Me
6. Transpicious
Side B :
1. Rifftide
2. Oo-wee But I Do
3. Don't Blame Me
4. Tweedles
5. I'll Remember April
Reviews :
Recorded after one of McGhee’s not infrequent releases from the Penitentary on narcotics charges, hence the title “The Return Of ….”
Howard McGhee is a wonderful agile soloist, a model for the younger Kenny Dorham. Sharing the spotlight with McGhee is Sahib Shihab on baritone sax, what more can you ask? Lots of baritone solos, and few on alto for variety, Sahib’s presence is not to be overlooked. That angry baritone rasp is so compelling - both Sahib and Pepper Adams showed what could be achieved with this weighty length of brass plumbing if you played it as though it was a tenor or indeed alto, and just ran with the changes, Charlie Parker on steroids.
Duke Jordan ’s solid chordal foundations, embellished with glittering runs, is always pushing the tempo along, with “Philly Joe” and Percy Heath picking up any slack. Bop of a very high order from the post-swing cauldron that was 1955.
Ratings :
AllMusic: 4 / 5 , Discogs : 4.43 / 5