Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Rupture de stock
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic
Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering, SuperVinyl) - AudioSoundMusic

Emmylou Harris – Quarter Moon In A Ten Cent Town (Half-speed Mastering)

€65,00
worldwide-delivery
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.



ORDER LIMITED TO ONE ITEM PER CUSTOMER

Emmylou Harris - vocals, acoustic guitar [click here to see more vinyl featuring Emmylou Harris]

Willie Nelson - duet vocals (B3) [click here to see more vinyl featuring Willie Nelson]

Fayssoux Starling - - duet vocals (B4)

Dianne Brooks - backing vocals

Nicolette Larson - backing vocals

Rick Danko - fiddle, backing vocals

Brian Ahern - acoustic guitar, 12-string guitar, gut-String guitar, percussion, baby bottle

James Burton - electric guitar

Rodney Crowell - acoustic guitar, electric guitar

Hank DeVito - pedal steel

Emory Gordy Jr. - bass

Glen Hardin - piano, electric piano, string arrangements

Garth Hudson - accordion, baritone saxophone

Albert Lee - acoustic guitar, electric guitar, piano, mandolin

Mickey Raphael - harmonica

Ricky Skaggs - fiddle, viola

John Ware - drums, percussion

Written by Susanna Clark (A1), Carlene Carter (A1), Delbert McClinton (A2), Dolly Parton (A3), Jesse Winchester (A4, B1), Rodney Crowell (A5, B2), Donivan Cowart (A5), Walter Martin Cowart (B3), Utah Phillips (B4), Winfield Scott (B5)

 

1 LP, standard sleeve

Limited edition

Original analog Master tape : YES

Half Speed Mastering

Heavy Press : 180g SuperVinyl

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified (Japan)

Label : MOFI

Original Label : Warner

Recorded in 1977 in The Enactron Truck in Beverly Hills, California

Engineered by Brian Ahern, Donivan Cowart, Bradley Hartman

Produced by Brian Ahern

Lacquer cut by Stan Ricker at JVC Cutting Center

Originally released in January 1978

Reissued in April 1979

 

Tracks:

Side A:

  1. Easy From Now On
  2. Two More Bottles Of Wine
  3. To Daddy
  4. My Songbird
  5. Leaving Louisiana In The Broad Daylight

Side B:

  1. Defying Gravity
  2. I Ain't Living Long Like This
  3. One Paper Kid
  4. Green Rolling Hills
  5. Burn That Candle

        

      Reviews :

      “Quarter Moon in a Ten Cent Town is a transitional effort that bridges the curveballs of Emmylou Harris' earliest solo work with the more traditional country albums that comprise the bulk of the second phase of her career. For the first time, she covers no Gram Parsons tunes or pop music chestnuts, relying instead on newly exited Hot Band member Rodney Crowell for two songs ("Leaving Louisiana in the Broad Daylight" and "I Ain't Living Long Like This") and Dolly Parton for another (the devastating "To Daddy"); the highlight is a gorgeous cover of Jesse Winchester's "Defying Gravity."” AllMusic Review by Jason Ankeny


      Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

       

      Ratings :

      AllMusic : 4 / 5 , Discogs : 4.17 / 5




      Vu récemment