Roy Gaines - I've Got the T-Bone Blues (Hybrid SACD) - Auiophile

Roy Gaines - I've Got the T-Bone Blues (Hybrid SACD)

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Roy Gaines, guitar, vocals

Will Miller, trumpet

Clifford Solomon, tenor sax

Andy Kaulkin, piano

Bill Stuve, acoustic bass

Steve Magulian, drums

Brently Kearns, violin

Al Velasco, pedal steel guitar

 



1 Hybrid SACD

Original analog Master tape : YES

Stereo

Studio

Label : Groove Note

Original Label : Groove Note

Recorded at Record One, Los Angeles

Engineered by Rafa Sardina

Produced by Joe Harley

Mastered by Bernie Grundman

Originally released in 1998

Reissued in 2013

 

Tracks:

  1. Stormy Monday
  2. T-Bone Shuffle
  3. DreamGirl
  4. I Got a Break Baby
  5. That Old Feeling Is Gone
  6. I'm in an Awful Mood
  7. The Hustle Is On
  8. T-Bone Blues
  9. Honky Tonk Blues
  10. Westside Baby
  11. Stormy Monday (acoustic)
  12. House of Gold

 

Reviews :

"On this Grove Note release, guitarist Roy Gaines pays tribute to his hero T-Bone Walker. I Got the T-Bone Walker Blues contains the Walker classics "T-Bone Blues," "Stormy Monday," "T-Bone Shuffle," and "Westside Baby" along with Hank Williams' "Honky Tonk Blues." Backed by a full band highlighted by Clifford Solomon and George Parker on tenor saxophones, Will Miller on trumpet, and the Mighty Flyers' rhythm section, Gaines reminds listeners of Walker's role as a leader who wasn't afraid to incorporate swing, jazz, and country into his blues style." AllMusic Review by Al Campbell

"[A]s if great music alone were not quite enough, the quality of the sound is equally impressive... Mastered by Bernie Grundman, the original release featured nine songs cut for 33rpm along with a second 45rpm LP with four 'bonus' tracks. It was a pretty impressive-sounding disc at the time. But Bernie Grundman’s mastering chain saw some dramatic improvements in the early 2000s. Grundman remastered the session and cut the entire album at 45rpm... The new version is drop-dead gorgeous and its sound is of demonstration quality. I did a comparison of 'The Hustle is On' at 45prm from both releases, and the new one is clearly superior, with more extended highs -- even though the earlier cut was spread out over a half side, while the new one shares a side with two other tunes. It shows what can be achieved with an Ampex ATR-100 two-track recorder, some excellent microphones and a lot of talent. It doesn’t get much better than this." Dennis Davis, theaudiobeat.com

"A modern blues masterpiece!" Andy Griggs, Real Blues

"Highly recommended" Bill Milkowski, Jazz Times

 

Ratings :

Discogs : 4,52 / 5 , The Audio Beat : Music 4/5, Sound 5/5

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