Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic
Creedence Clearwater Revival – Green River (Half-speed mastering) - AudioSoundMusic

Creedence Clearwater Revival – Green River (Half-speed mastering)

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50th anniversary edition

Creedence Clearwater Revival [click here to see more products featuring Creedence Clearwater Revival]

Lead Guitar, Vocals – John Fogerty [click here to see more vinyl featuring John Fogerty]

Rhythm Guitar – Tom Fogerty

Bass – Stu Cook

Drums – Doug Clifford

Arranged by John Fogerty

Written by John Fogerty (all tracks except B5), Lew Herman (B5)

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Optimal Media GmbH

Label : Craft Recordings

Original Label : Fantasy

Recorded March – June 1969 at Wally Heider Studio in San Francisco

Engineered by Russ Gary

Produced by John Fogerty and Saul Zaentz

Half Speed Mastering at Abbey Roads Studio by Miles Showell

Photography by Basul Parik

Liner notes by Dave Marsh, Joel Selvin

Originally released in August 1969

Reissued in November 2019

 

Tracks:

Side A:

  1. Green River
  2. Commotion
  3. Tombstone Shadow
  4. Wrote A Song For Everyone

Side B:

  1. Bad Moon Rising
  2. Lodi
  3. Cross-Tie Walker
  4. Sinister Purpose
  5. The Night Time Is The Right Time

 

Awards:

Rolling Stone magazine 500 greatest albums of all time – Ranked 95 / 500

Featured in Robert Dimery's book 1001 Albums You Must Hear Before You Die

 

Reviews :

“If anything, CCR's third album Green River represents the full flower of their classic sound initially essayed on its predecessor, Bayou Country. One of the differences between the two albums is that Green River is tighter, with none of the five-minute-plus jams that filled out both their debut and Bayou Country, but the true key to its success is a peak in John Fogerty's creativity. Although CCR had at least one cover on each album, they relied on Fogerty to crank out new material every month. He was writing so frequently that the craft became second-nature and he laid his emotions and fears bare, perhaps unintentionally. Perhaps that's why Green River has fear, anger, dread, and weariness creeping on the edges of gleeful music. This was a band that played rock & roll so joyously that they masked the, well, "sinister" undercurrents in Fogerty's songs. "Bad Moon Rising" has the famous line "Hope you've got your things together/Hope you're quite prepared to die," but that was only the most obvious indication of Fogerty's gloom. Consider all the other dark touches: the "Sinister purpose knocking at your door"; the chaos of "Commotion"; the threat of death in "Tombstone Shadow"; you only return to the idyllic "Green River" once you get lost and realize the "world is smolderin'." Even the ballads have a strong melancholy undercurrent, highlighted by "Lodi," where Fogerty imagines himself stuck playing in dead-end towns for the rest of his life. Not the typical thoughts of a newly famous rock & roller, but certainly an indication of Fogerty's inner tumult. For all its darkness, Green River is ultimately welcoming music, since the band rocks hard and bright and the melancholy feels comforting, not alienating.” AllMusic Review by Stephen Thomas Erlewine

 

Half-speed mastering

In half-speed mastering, the whole mastering process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4.65 / 5

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