Miles Davis – 'Four' & More (Hybrid SACD, Ultradisc UHR)
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€45,00
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Miles Davis — trumpet [click here to see more vinyl featuring Miles Davis]
George Coleman — tenor saxophone [click here to see more vinyl featuring George Coleman]
Herbie Hancock — piano [click here to see more vinyl featuring Herbie Hancock]
Ron Carter — double bass [click here to see more vinyl featuring Ron Carter]
Tony Williams — drums
Written by Miles Davis (1, 4, 5), Richard Henry Carpenter (2), Victor Feldman (3, 5), Marty Symes (6), Isham Jones (6)
1 Hybrid SACD, Ultradisc UHR
Limited numbered edition
Stereo
Live
Label : MOFI
Original Label : Columbia
Recorded live on February 12, 1964 at Philharmonic Hall of Lincoln Center, New York City
Engineered by Fred Plaut
Produced by Teo Macero
Remastered by Krieg Wunderlich at Mobile Fidelity Sound Lab
Originally released in January 1966
Reissued in 2013
Tracks:
- So What
- Walkin
- Joshua / Go-Go (Theme and Announcement)
- Four
- Seven Steps to Heaven
- There Is No Greater Love / Go-Go (Theme and Announcement)
Reviews :
“In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards.” Review by Scott Yanow
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 4.5 / 5 , Discogs : 4.78 / 5