Stan Getz & Joao Gilberto - Getz and Gilberto (2LP, 45 tours)
Prix habituel
€89,00
DELAIS MOYEN D'EXPEDITION : 2 A 4 JOURS OUVRES
Délais de livraison variables suivant les pays de destination
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
Stan Getz, tenor saxophone [click here to see more vinyl featuring Stan Getz]
Joao Gilberto, guitar, vocals [click here to see more vinyl featuring Joao Gilberto]
Astrud Gilberto, vocals [click here to see more vinyl featuring Astrud Gilberto]
Antonio Carlos Jobim - guitar, piano [click here to see all vinyl featuring Antonio Carlos Jobim]
Milton Banana, drums
Tommy Williams, bass
Larry Bunker, drums
2 LP, gatefold old-style tip-on jackets
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 45RPM
Size 12''
Stereo
Studio
Record Press : Quality Record Pressings
Label : Analogue Productions
Original Label : Verve Records
Recorded at A&R Studios, New York City on March 18 & 19, 1963
Engineered by Val Valentin
Produced by Creed Taylor
Remastered by George Marino at Sterling Sound
Originally released in 1963
Reissued in 2011
Tracks :
Side A:
The Girl from Ipanema
Doralice
Side B:
Para Machuchar Meu
Desafinado
Side D:
Corcavado
So Danco Samba
Side E:
O Grande Amor
Vivo Sohando
Awards:
Winner of a 2012 Positive Feedback Online Writers' Choice Award
Mono & Stereo magazine : named a Mono & Stereo Strictly Vinyl Analog Award winner.
1000 Recordings you must hear before you die - Ranked 41
Reviews :
“One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators -- guitarist/singer João Gilberto and composer/pianist Antonio Carlos Jobim -- to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history -- "The Girl From Ipanema," a Jobim classic sung by João's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session. Beyond that, most of the Jobim songs recorded here also became standards of the genre -- "Corcovado" (which featured another vocal by Astrud), "So Danço Samba," "O Grande Amor," a new version of "Desafinado." With such uniformly brilliant material, it's no wonder the album was such a success but, even apart from that, the musicians all play with an effortless grace that's arguably the fullest expression of bossa nova's dreamy romanticism ever brought to American listeners. Getz himself has never been more lyrical, and Gilberto and Jobim pull off the harmonic and rhythmic sophistication of the songs with a warm, relaxed charm. This music has nearly universal appeal; it's one of those rare jazz records about which the purist elite and the buying public are in total agreement. Beyond essential.” Review by Steve Huey
Mono & Stereo magazine's reviewer Matej Isak says Chad Kassem's efforts via his Quality Record Pressings pressing plant "goes beyond simple vinyl revival." "What can I say? I have a few different copies of this album and this release is of a completely different nature of sound. Like with another unforgettable (release) Nat 'King' Cole — Love Is The Thing (AAPP 824-45) this is as good as it gets, without having the real master tapes on hand. It's a celebration of analog." Isak also raves, "Everything is even more subtle and present. Astrud's vocals finally got the needed three-dimensionality and 'spirit' and Getz's saxophone breathes out of proportion. When compared to other pressings, for example, Astrud is a mere statue. Here, she came alive with the feeling of real life-size. ... With 45 RPM benefits, the album gained better transients and a sense of atmosphere. It moves you more intimately and straight to the core." Matej Isak, Mono & Stereo magazine, May 2013. Beyond highly recommended."
"...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen!" Danny Kaey, Positive Feedback Online, November/December 2011
"...To say that the resulting new stereo master is anything but a major sonic breakthrough would be to make the understatement of the decade. Simply put, audiophile jargon and usual hyperbolas aside, this new release is like hearing the record for the very first time, in the studio, with Astrud and team granting you a personal performance for the night. There is just so much more information present, that you really can't fairly compare any of the previous releases with this one." - Danny Kaey, Positive Feedback, September/October 2011
Ratings :
AllMusic 5 / 5 , Discogs 4.65/5