Art Blakey & The Jazz Messengers – Caravan
Prix habituel
€55,00
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Drums – Art Blakey [click here to see more vinyl featuring Art Blakey]
The Jazz Messengers: [click here to see more vinyl featuring The Jazz Messengers]
Tenor Saxophone – Wayne Shorter [click here to see more vinyl featuring Wayne Shorter]
Trumpet – Freddie Hubbard [click here to see more vinyl featuring Freddie Hubbard]
Trombone – Curtis Fuller [click here to see more vinyl featuring Curtis Fuller]
Bass – Reggie Workman
Piano – Cedar Walton
Written by Duke Ellington (A1), Irving Mills (A1), Juan Tizol (A1), Wayne Shorter (A2-B1), Inez James (A3), Jack Elliott (A3), Hoagy Carmichael (B2), Johnny Mercer (B2), Freddie Hubbard (B3)
1 LP, Standard sleeve
Original analog Master Tape : YES
Heavy Press : 180 g
Record Color : Black
Speed : 33 RPM
Size : 12’’
Stereo
Studio
Record Press: Record Technology Incorporated
Label : Craft Recordings - Original Jazz Classics
Original Label : Riverside Records
Recorded October 23, 1962 - October 24, 1962 at Plaza Sound Studios, New York, NY
Engineered by Ray Fowler
Produced by Orrin Keepnews
Mastered by Kevin Gray at Cohearent Audio
Design by Ken Deardoff
Liner Notes by DownBeat
Sleeve Notes by Ira Gitler
Photography by Steve Schapiro, Chuck Stewart
Originally released in 1963
Reissued in March 2024
Tracks :
Side A:
- Caravan
- Sweet ‘N’ Sour
- In the Wee Small Hours of the Morning
Side B:
- This Is for Albert
- Skylark
- Thermo
Reviews :
"By the time that jazz icon/bandleader/percussionist Art Blakey and his Jazz Messengers began recording for Riverside in the fall of 1962, Blakey had already been the spiritual center of the group for nearly 15 years. The unprecedented caliber of performers who had already passed through the revolving-door personnel reads like a who's who of 20th century jazz. On Caravan -- his first of several notable sides for the venerable label -- he is joined by a quintet of concurrent and future all-stars. Likewise, it could be argued that each has never again been presented in such a fresh or inspired setting as on these recordings. In order to establish with any authority just how heavy (even for purveyors of hard bop) the players in this band are, they need only to be named: Curtis Fuller (trombone), Freddie Hubbard (trumpet), Wayne Shorter (tenor sax), Cedar Walton (piano), and Reggie Workman (bass). With Blakey (drums) firmly at the helm, these Jazz Messengers deliver a scintillating synergy that doesn't sacrifice intensity for the sake of cadence. The trademark give-and-take that graces the laid-back and sophisticated pop and jazz standards "Skylark" and "In the Wee Small Hours of the Morning" likewise is responsible for the palpable energy brought to the sizeable contributions from Shorter and Hubbard -- which make up half of the album's material. The title and leadoff track liquefies Duke Ellington's original arrangement and ignites it, fueling this extended fiery interpretation. Hubbard's first solo harks back to his own recording of "Caravan," which can be heard on the Impulse release Artistry of Freddie Hubbard and was recorded earlier the same year. Coincidentally, that disc also features Curtis Fuller as well as a rare non-Sun Ra-related appearance from John Gilmore (tenor sax).
Blow for blow, however, this reading has more than just an edge -- it possesses the entire blade. The melody snakes in and out of Blakey's strident flurry of syncopation. Another highlight is Shorter's interjectory solo, recalling his ability to succeed John Coltrane in Miles Davis' coterie. Among the original compositions, Shorter's upbeat "Sweet 'n' Sour" stands out as the most cohesive and ensemble-driven, although the singular group dynamic is well applied to the lively "This Is for Albert" as well. By contrast, Hubbard's "Thermo" is more angular -- taking full advantage of the musicians' aggressive chops. The 2001 20-bit remaster from Fantasy contains two bonus tracks: take four of "Sweet 'n' Sour" and take two of "Thermo." This release can be considered definitive Blakey, bop, and Jazz Messengers." AllMusic. Review by Lindsay Planer
Ratings :
AllMusic : 4.5 / 5 ; Discogs : 4.48 / 5 ; The Rolling Stone Jazz Record Guide : 4 / 5 ; The Penguin Guide to Jazz Recordings : 3 / 4 ; Don Beat : 4 / 5