Sade – Love Deluxe - Audiophile
Sade – Love Deluxe - Audiophile
Sade – Love Deluxe - Audiophile
Sade – Love Deluxe - Audiophile

Sade – Love Deluxe

€45,00
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Vocals - Sade Adu

Bass - Paul S. Denman

Guitar, Saxophone - Stuart Matthewman

Keyboards - Andrew Hale

Drums, Percussion - Martin Ditcham (A1, B1)

Cello [Solo] - Tony Pleeth (B3)

Arranged by Sade

Written by Sade Adu, A1, A2, A3, A4, B1, B2, B3, B4, B5), Stuart Matthewman A1, A2, A3, A4, B1, B2, B4, B5), Paul S. Denman A1, A2, A3, A4, B1, B2, B4, B5), Andrew Hale (A1, A2, A3, A4, B1, B2, B3, B4, B5)

 

 

1 LP, Standard Sleeve

Original analog Master Tape : YES

Heavy Press : 180 g

Record Color : Black

Speed : 33 RPM

Size : 12’’

Stereo

Studio

Record Press : Optimal Media GmbH

Label : Epic Records

Original Label : Epic Records

Recorded : Studio Condulmer (Italy), Ridge Farm Studios (UK), The Hit Factory (London), Image Recording Studios (USA)

Half-speed remaster at Abbey Road Studios

Produced by Sade

Co-produced by Mike Pela

Mastered by Stephen Marcussen

Design by Peter Brawne

Photography by Albert Watson

Originally Released in 1992

Reissued in 2024

 

Tracks:

Side A:

  1. No Ordinary Love
  2. Feel No Pain
  3. I Couldn’t Love You More
  4. Like a Tattoo

Side B:

  1. Kiss of Life
  2. Cherish the Day
  3. Pearls
  4. Bullet Proof Soul
  5. Mermaid

 

Awards:

Rolling Stone 500 Greatest Albums of All Time - Ranked 247

 

Reviews:

“ Sade's fourth album, Love Deluxe, included the hit "No Ordinary Love" and marked a return to the detached cool jazz backing and even icier vocals that made her debut album a sensation. Although Sade's style is more suggestive than hypnotic and her production and arrangements are in an urbane mode rather than a jazz one, she maintained her popularity among the fusion and urban contemporary audiences." — AllMusic Review by Ron Wynn

 

Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

 

Ratings :

Discogs : 4.78 / 5 ; AllMusic : 4 / 5

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