The Dave Brubeck Quartet - Time Out (4LP, 4 faces, 45 tours, Coffret, 200g, Vinyle translucide)
Prix habituel
€700,00
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Dave Brubeck - piano [click here to see more vinyl featuring Dave Brubeck]
Paul Desmond - alto saxophone [click here to see more vinyl featuring Paul Desmond]
Joe Morell (drums), Gene Wright (bass)
4 single-sided LP, box set
Limited edition
Original analog Master tape : YES
Heavy Press : 200g SuperVinyl
Record color : clear vinyl
Speed : 45 RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified
Label : Classic Records (now part of Analogue Productions)
Original Label : Columbia
Recorded June 25, July 1, and August 18, 1959 in Columbia's 30th Street Studio in New York City
Produced by Teo Macero
Mastered by Bernie Grundman
Originally released in 1959
Reissued in 2008
Tracks:
Side A :
- Blue Rondo A La Turk
- Strange Meadow Lark
Side B :
- Take Five
Side C :
- Three To Get Ready
- Kathy's Waltz
Side D :
- Everybody's Jumpin'
- Pick Up Sticks
Awards :
The album was inducted in the Grammy Hall of Fame in 2009
1000 Recordings you must hear before you die - Ranked 23
Time Out was the first jazz album to sell more than a million copies.
The album was certified platinum in 1997 and double platinum in 2011
Reviews:
« Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. » AllMusic Review by Steve Huey
Ratings :
AllMusic : 5 / 5 ; Discogs :