Little Feat - Little Feat (Ultra Analog, Half-speed Mastering)
Prix habituel
€59,00
DELAIS MOYEN D'EXPEDITION : 2 A 4 JOURS OUVRES
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ORDER LIMITED TO ONE ITEM PER CUSTOMER
Lowell George – lead, rhythm and slide guitars, lead vocals (all songs except where noted) and backing vocals, harmonica [click here to see more vinyl featuring Lowell George]
Bill Payne – keyboards, lead ("Snakes on Everything" and "Takin' My Time") and backing vocals, piano
Roy Estrada – bass, backing vocals
Richard Hayward – drums, backing vocals
Russ Titelman – percussion, backing vocals, piano on "I've Been The One"
Ry Cooder – bottleneck guitar on "Willin'" and "Forty Four Blues / How Many More Years"
Sneaky Pete Kleinow – pedal steel on "I've Been The One"
Kirby Johnson – string and horn arrangements
1 LP, gatefold jacket
Limited numbered edition
Original analog Master tape : YES
Half-speed Mastering
Gain 2™ Ultra Analog
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : RTI
Label : MOFI
Original Label : Warner Bros
Recorded August–September 1970 at United Western Recorders and the Record Plant, Los Angeles
Engineered by Bob Kovach
Produced by Russ Titelman
Remastered by Shawn R. Britton
Originally released in 1970
Reissued in 2008
Tracks:
Side A :
- Snakes on Everything
- Strawberry Flats
- Truck Stop Girl
- Brides of Jesus
- Willing
- Hamburger Midnight
Side B :
- Forty Four Blues/How Many More years
- Crack in Your Door
- Ive been the One
- Takin My Time
- Crazy Captain Gunboat Willie
Reviews :
"It sold poorly (around 11,000 copies) and the band never cut anything like it again, but Little Feat's eponymous debut isn't just one of their finest records, it's one of the great lost rock & roll albums. Even dedicated fans tend to overlook the album, largely because it's the polar opposite of the subtly intricate, funky rhythm & roll that made their reputation during the mid-'70s. Little Feat is a raw, hard-driving, funny and affectionate celebration of American weirdness, equal parts garage rock, roadhouse blues, post-Zappa bizarreness, post-Parsons country rock and slightly bent folk storytelling. Since it's grounded in roots rock, it feels familiar enough, but the vision of chief songwriter/guitarist/vocalist Lowell George is wholly unique and slightly off-center. He sees everything with a gently surreal sense of humor that remains affectionate, whether it's on an ode to a "Truck Stop Girl," the weary trucker's anthem "Willin'," or the goofy character sketch of the crusty old salt "Crazy Captain Gunboat Willie." That affection is balanced by gutsy slices of Americana like the careening travelogue "Strawberry Flats," the darkly humorous "Hamburger Midnight" and a jaw-dropping Howlin' Wolf medley guest-starring Ry Cooder, plus keyboardist Bill Payne's terrific opener "Snakes on Everything." The songwriting itself is remarkable enough, but the band is its equal -- they're as loose, vibrant and alive as the Stones at their best. In most respects, this album has more in common with George's earlier band the Factory than the rest of the Little Feat catalog, but there's a deftness in the writing and performance that distinguishes it from either band's work, which makes it all the more remarkable. It's a pity that more people haven't heard the record, but that just means that anyone who owns it feels like they're in on a secret only they and a handful of others know." AllMusic Review by Stephen Thomas Erlewine
Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.
Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.
Ratings :
AllMusic : 5 / 5 , Discogs : 4,17 / 5