Keb’ Mo’ - Keb’ Mo’ (Hybrid SACD, Ultradisc UHR)
Prix habituel
€45,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER
Keb’ Mo’, vocal, guitar, harmonica & banjo
Tommy Eyre, keyboards
James “Hutch” Hutchinson, bass
Laval Belle, drums
Quentin Dennard, drums on “Angelina”
Tony Draunagel, percussion on “Come On In My Kitchen”
1 SACD, gatefold jacket with a 24-page booklet
Limited numbered edition
Original analog Master tape : YES
Stereo
Studio
Label : MOFI
Original Label : Epic
Recorded by Joe McGrath and by John Strother at Penguin Recording and Devonshire Studios
Mixed by Joe McGrath at Red Zone Studios, Burbank, CA
Produced by John Porter
Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA on The Gain 2 System™
Manufactured by Sony Music Entertainment
Glass master manufactured at Sony DADC
Photography by Frank W. Ockenfels
Originally released in 1994
Reissued in 2011
Tracks:
1. Every Morning
2. Tell Everybody I Know
3. Love Blues
4. Victims Of Comfort
5 Angelina
6. Anybody Seen My Girl
2. Tell Everybody I Know
3. Love Blues
4. Victims Of Comfort
5 Angelina
6. Anybody Seen My Girl
7. She Just Wants To Dance
8. Am I Wrong
9. Come On In My Kitchen
10. Dirty, Lowdown And Bad
11. Don’t Try To Explain
12. Kindhearted Woman Blues
13. City Boy
9. Come On In My Kitchen
10. Dirty, Lowdown And Bad
11. Don’t Try To Explain
12. Kindhearted Woman Blues
13. City Boy
Reviews:
« Keb' Mo's self-titled debut is an edgy, ambitious collection of gritty country blues. Keb' Mo' pushes into new directions, trying to incorporate some of the sensibilites of the slacker revolution without losing touch of the tradition that makes the blues the breathing, vital art form it is. His attempts aren't always successful, but his gutsy guitar playing and impassioned vocals, as well as his surprisingly accomplished songwriting, make Keb' Mo' a debut to cherish. » AllMusic Review by Thom Owens
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 4 / 5 , Discogs : 4.55 / 5