Alan Parsons Project - I Robot (Hybrid SACD, Ultradisc UHR)
Prix habituel
€45,00
ORDER LIMITED TO ONE ITEM PER CUSTOMER
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Alan Parsons – keyboards, vocoder, backing vocals, acoustic guitar
David Paton – bass, acoustic guitar, backing vocals
Stuart Tosh – drums, percussion, backing vocals
Ian Bairnson – electric and acoustic guitars, backing vocals
Eric Woolfson – keyboards, vocoder, backing vocals
Duncan Mackay – keyboards
B.J. Cole – steel guitar
John Leach – cimbalom, kantele
Lenny Zakatek, Allan Clarke, Steve Harley, Jack Harris, Peter Straker, Jaki Whitren, Dave Townsend, the English Chorale, the New Philharmonia Chorus – vocals
Hilary Western – backing vocals
Smokey Parsons – backing vocals
Tony Rivers, John Perry and Stu Calver – backing vocals on "Some Other Time"
1 Hybrid SACD, Ultradisc UHR
Numbered limited edition
Stereo
Studio
Label : MOFI
Original Label : Arista
Recorded December 1976 – March 1977 at Abbey Road Studios, London
Engineered by Alan Parsons
Produced by Alan Parsons
Remastered by Krieg Wunderlich
Originally released in 1977
Reissued in 2018
Tracks:
- I Robot
- I Wouldn't Want to Be Like You
- Some Other Time
- Breakdown
- Don't Let It Show
- The Voice
- Nucleus
- Day After Day (The Show Must Go On)
- Total Eclipse
- Genesis Ch. 1 V. 32
Reviews :
Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence -- will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth -- with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this. Compare it to Jeff Wayne's War of the Worlds, released just a year after this and demonstrating some clear influence from Parsons: that flirts voraciously with camp, but this, for all of its pomp and circumstance, for all of its overblown arrangements, this is music that's played deadly serious. Even when the vocal choirs pile up at the end of "Breakdown" or when the Project delves into some tight, glossy white funk on "The Voice," complete with punctuations from robotic voices and whining slide guitars, there isn't much sense of fun, but there is a sense of mystery and a sense of drama that can be very absorbing if you're prepared to give yourself over to it. The most fascinating thing about the album is that the music is restless, shifting from mood to mood within the course of a song, but unlike some art pop there is attention paid to hooks -- most notably, of course, on the hit "I Wouldn't Want to Be Like You," a tense, paranoid neo-disco rocker that was the APP's breakthrough. It's also the closest thing to a concise pop song here -- other tunes have plenty of hooks, but they change their tempo and feel quickly, which is what makes this an art rock album instead of a pop album. And while that may not snare in listeners who love the hit (they should turn to Eye in the Sky instead, the Project's one true pop album), that sense of melody when married to the artistic restlessness and geeky sensibility makes for a unique, compelling album and the one record that truly captures mind and spirit of the Alan Parsons Project." AllMusic Review by Stephen Thomas Erlewine
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 4,5 / 5 , Discogs : 4,19 / 5