Curtis Mayfield - SuperFly (Hybrid SACD, Ultradisc UHR)
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Curtis Mayfield – vocals, guitar, producer
Phil Upchurch - guitar
Joseph Lucky Scott – bass
Master Henry Gibson – percussion
Tyrone McCullen – drums ("Pusherman")
Morris Jennings – drums (all tracks except "Pusherman")
Craig McMullen – guitar
Harry "Slip" Lepp – trombone
Johnny Pate – orchestrator, arranger
1 Hybrid SACD, Ultradisc UHR
Limited to 2,500 numbered copies
Stereo
Studio
Label : MOFI
Original Label : Curtom
Recorded at RCA Studios, Chicago
Engineered by Roger Anfinsen
Produced by Curtis Mayfield
Remastered by Krieg Wunderlich, Rob LoVerde
Originally released in 1972
Reissued in 2018
Tracks:
- Little Child Runnin' Wild
- Pusherman
- Freddie's Dead
- Junkie Chase
- Give Me Your Love
- Eddie You Should Know Better
- No Thing On Me
- Think
- Superfly
Awards:
Rolling Stone 500 Greatest Albums of All Time - Ranked 76
1000 Recordings You Must Hear Before You Die - Ranked 247
Reviews :
"The choice of Curtis Mayfield to score the blaxploitation film Super Fly was an inspired one. No other artist in popular music knew so well, and expressed through his music so naturally, the shades of gray inherent in contemporary inner-city life. His debut solo album, 1970's Curtis, had shown in vivid colors that the '60s optimist (author of the civil-rights anthems "Keep On Pushing" and "People Get Ready") had added a layer of subtlety to his material; appearing on the same LP as the positive and issue-oriented "Move On Up" was an apocalyptic piece of brimstone funk titled "(Don't Worry) If There's a Hell Below, We're All Going to Go." For Super Fly, Mayfield wisely avoids celebrating the wheeling-and-dealing themes present in the movie, or exploiting them, instead using each song to focus on a different aspect of what he saw as a plague on America's streets. He also steers away from explicit moralizing; through his songs, Mayfield simply tells it like it is (for the characters in the film as in real life), with any lessons learned the result of his vibrant storytelling and knack of getting inside the heads of the characters. "Freddie's Dead," one of the album's signature pieces, tells the story of one of the film's main casualties, a good-hearted yet weak-willed man caught up in the life of a pusher, and devastatingly portrays the indifference of those who witness or hear about it. "Pusherman" masterfully uses the metaphor of drug dealer as businessman, with the drug game, by extension, just another way to make a living in a tough situation, while the title track equates hustling with gambling ("The game he plays he plays for keeps/hustlin' times and ghetto streets/tryin' ta get over"). Ironically, the sound of Super Fly positively overwhelmed its lyrical finesse. A melange of deep, dark grooves, trademarked wah-wah guitar, and stinging brass, Super Fly ignited an entire genre of music, the blaxploitation soundtrack, and influenced everyone from soul singers to television-music composers for decades to come. It stands alongside Saturday Night Fever and Never Mind the Bollocks Here's the Sex Pistols as one of the most vivid touchstones of '70s pop music." AllMusic Review by John Bush
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 5 / 5 , Discogs : 4,57 / 5