Roberta Flack – Killing Me Softly (Hybrid SACD) - Audiophile

Roberta Flack – Killing Me Softly (Hybrid SACD)

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Vocals, pianos - Roberta Flack

Vocals - Donny Hathaway [click here to see more Vinyl/SACD featuring Donny Hathaway]

Bass - Ron Carter [click here to see more Vinyl/SACD featuring Ron Carter]

Drums - Grady Tate

Congas, percussion, tambourine - Ralph MacDonald

Guitars - Eric Gale

Arranged by Roberta Flack

Written by Charles Fox, Norman Gimbel, Janis Ian, Ralph MacDonald, William Salter, James Shelton, Gene McDaniels, Terry Plumeri, Bill Seighman, Leonard Cohen


 

1 Hybrid SACD

Original analog Master tape : YES

Stereo

Studio

Label : Analogue Productions

Original Label : Atlantic

Recorded 1971 at Atlantic Recording Studios, New York, and Regent Sound Studios, New York

Engineered by Bob Liftin

Produced by Fox and Gimbel, Joel Dorn

Photography by David Redfern, Burt Goldblatt

Design by Rod Dyer

Originally released in 1972

Reissued in 2024

 

Tracks:

  1. Killing Me Softly With His Song
  2. Jesse
  3. No Tears (In The End)
  4. I'm The Girl
  5. River
  6. Conversation Love
  7. When You Smile
  8. Suzanne

     

    Awards :

    1974 Grammy Award Winner:

    • Record of the Year: "Killing Me Softly with His Song"
    • Song of the Year: "Killing me Softly with His Song"
    • Best Pop Vocal Performance, Female: "Killing Me Softly with His Song"

     

    Reviews:

    “The title track was another smash for Roberta Flack, and the album continued in the same tradition as Chapter Two and A Quiet Fire. She made simmering ballads, declarative message songs, and better-than-average up-tempo numbers, and at the time was among the top-selling female vocalists in any style. “ AllMusic Review by by Ron Wynn


    “Killing Me Softly With His Song” is the culmination of two discoveries. Songwriter Lori Lieberman went to a club one night to see Don McLean, then a little-known singer, and felt, overwhelmingly, like his songs could’ve been about her. She wrote a poem about it, which Charles Fox and Norman Gimbel turned into a song, and Lieberman recorded. Then Roberta Flack heard the song on a plane as part of the in-flight entertainment, and later called it “a song I feel was given to me as a gift.” Her version is stately and elegant, a singer’s tribute to the power of songwriting." Review by Rolling Stone US

     

    Ratings:

    AllMusic : 4.5 / 5 ; Discogs : 3.82 / 5

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