Bob Dylan - Blonde on Blonde (Hybrid SACD, Limited Numbered Edition) - Audiophile
Bob Dylan - Blonde on Blonde (Hybrid SACD, Limited Numbered Edition) - Audiophile
Bob Dylan - Blonde on Blonde (Hybrid SACD, Limited Numbered Edition) - Audiophile
Bob Dylan - Blonde on Blonde (Hybrid SACD, Limited Numbered Edition) - Audiophile

Bob Dylan - Blonde on Blonde (Hybrid SACD, Ultradisc UHR)

€45,00
banner
DELAIS MOYEN D'EXPEDITION : 2 A 4 JOURS OUVRES
Délais de livraison variables suivant les pays de destination
worldwide-delivery
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.



ORDER LIMITED TO ONE ITEM PER CUSTOMER

Bob Dylan – vocals, guitar, harmonica, piano [click here to see more Vinyl / SACD featuring Bob Dylan]

Bill Aikins – keyboards

Wayne Butler – trombone

Kenneth Buttrey – drums

Rick Danko or Bill Lee – bass guitar (New York)

Bobby Gregg – drums (New York)

Paul Griffin – piano (New York)

Jerry Kennedy – guitar

Al Kooper – organ, guitar

Charlie McCoy – bass guitar, guitar, harmonica, trumpet

Wayne Moss – guitar, vocals

Hargus "Pig" Robbins – piano, keyboards

Robbie Robertson – guitar, vocals

Henry Strzelecki – bass guitar

Joe South – bass guitar, guitar

 

1 Hybrid SACD, Ultradisc UHR

Limited Numbered Edition

Stereo

Studio

Label : MOFI

Original Label : Columbia

Recorded January – June 1966 at Columbia Recording Studios, Nashville

Engineered by Al Kooper, 'Pig' Robbins, Joe South, Kenny Buttrey, and The Band's Rick Danko and Robbie Robertson

Produced by Bob Johnston

Remastered by Krieg Wunderlich

Originally released in 1966

Reissued in 2013

 

Tracks:

  1. Rainy Day Women #12 & 35
  2. Pledging My Time
  3. Visions of Johanna
  4. One of Must Know (Sooner or Later)
  5. I Want You
  6. Stuck Inside of Mobile with the Memphis Blues Again
  7. Leopard-Skin Pill-Box Hat
  8. Just Like a Woman
  9. Most Likely You Go Your Way and I’ll Go Mine
  10. Temporary Like Achilles
  11. Absolutely Sweet Marie
  12. 4th Time Around
  13. Obviously 5 Believers
  14. Sad Eyed Lady of the Lowlands

 

Awards:

Rolling Stone 500 Greatest Albums of All Time - Rated 38/500

Rolling Stone 500 Greatest Songs of All Time - "Visions of Johanna" - Rated 413/500, "Just Like A Woman" - Rated 232/500

1000 Recordings you must hear before you die - Ranked 64


Reviews :

"If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery Michael Bloomfield with the intense, weaving guitar of Robbie Robertson, Bob Dylan led a group comprised of his touring band the Hawks and session musicians through his richest set of songs. Blonde on Blonde is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of Highway 61 with a sense of the absurd, Blonde on Blonde is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of Dylan's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again." AllMusic Review by Stephen Thomas Erlewine

Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4,57 / 5 

Vu récemment