Graham Nash David Crosby – Graham Nash David Crosby - Audiophile

Graham Nash David Crosby – Graham Nash David Crosby

€229,00
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Rarity - sealed

 

[click here to see more vinyl featuring Crosby, Stills and Nash]

Guitar, Vocals – David Crosby [click here to see more vinyl featuring David Crosby]

Harmonica, Organ, Piano, Vocals – Graham Nash [click here to see more vinyl featuring Graham Nash]

Bass – Chris Ethridge, Leland Sklar, PHil Lesh, Greg Reeves

Drums – Johnny Barbata, Russel Kunkel, Billy Kreutzman

Steel Guitar – Jerry Garcia

Bass – Leland Sklar

Electric Piano – Craig Doerge

Lead Guitar – Danny Kootch, Jerry Garcia, David Mason

French Horn – Arthur Maebe, David Duke, George Price

Organ – Craig Doerge

Flute – Dana Africa

Piano – Craig Doerge

 Written by Graham Nash (A1, A3-A4, B1, B3, B5), David Crosby (A2, A5-A6, B2, B4)


 

1 LP, Gatefold Jacket

Original analog Master Tape : YES

Heavy Press : 180 g

Record Color : Black

Speed : 33 RPM

Size : 12''

Stereo

Studio

Record Press : RTI

Label : Classic Records

Original Label : Atlantic Records

Recorded in 1972 at wally Heider III, Los Angeles, CA

Engineered by Bill Halverson, Doc Storch

Produced by Bill Halverson, David Crosby, Graham Nash

Mastered by Artisan Sound

Design by Tom Wilkes

Photography by Joel Bernstein, Robert Hammer 

Originally released in April 1972

 

 

Tracks:

Side A:

  1. Southbound Train
  2. Whole Cloth
  3. Blacknotes
  4. Strangers Room
  5. Where Will I Be?
  6. Page 43

Side B:

  1. Frozen Smiles
  2. Games
  3. Girl To Be On My Mind
  4. The Wall Song
  5. Immigration Man

          

        Reviews:

        This self-titled release is one of -- if not arguably the -- most impressive side project to arise from CSN. Taken beyond face value, Graham Nash/David Crosby is a direct reflection, if not an extension, of the musical and personal relationship between its co-creators. Likewise, the results remain true, enhancing rather than detracting from the very individualistic styles of Crosby and Nash. The best elements of each are readily available here, punctuated at every turn by their complicated vocal arrangements and air-lock harmonies. In the wake of the enormous successes garnered by the albums Crosby Stills & Nash, Déjà Vu, and Four Way Street, the principal members were essentially given carte blanche studio access to pursue solo projects as well.

        This release is the first in what would turn out to be a series of collaborative efforts between Crosby and Nash. Musically it continues in much the same vein as their respective debut solo releases, If I Could Only Remember My Name and Songs for Beginners. Nash's contributions include "Girl to Be on My Mind," "Stranger's Room," and "Southbound Train" -- a twangy piece of Americana featuring a high and lonesome steel guitar solo from Jerry Garcia that likewise hearkens to the Grateful Dead's American Beauty, Elton John's Tumbleweed Connection, or the Band's Music From Big Pink. These tracks co-exist in stark contrast to Crosby's more cerebral and incisive contributions, such as "Whole Cloth," "Games," and "The Wall Song." The latter features some outstanding instrumental support from the Grateful Dead's Jerry Garcia (guitar), Phil Lesh (bass), and Billy Kreutzman (drums). The core band revolves around another set of all-stars: Russell Kunkel (drums), Leland Skylar (bass), Craig Doerge (keyboards), and Danny "Kootch" Kortchmar (guitar). This same band would more or less continue to back up Crosby and Nash's duo efforts throughout the remainder of the '70s. Graham Nash/David Crosby offers much of the same unique songwriting and personal style which informed their better contributions not only to the CSN-related efforts, but as far back as their offerings with the Hollies and the Byrds. Interested enthusiasts are also urged to locate Another Stoney Evening -- a live acoustic release from October 10, 1971 -- which includes seminal live versions of "Southbound Train," "Where Will I Be," "Immigration Man," and "Stranger's Room." AllMusic Review by Lindsay Planer.

         

        Ratings:

        Discogs : 3.54 / 5 ; AllMusic : 4 / 5

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