Genesis – A Trick Of The Tail (Hybrid SACD) - Audiophile

Genesis – A Trick Of The Tail (Hybrid SACD)

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Genesis [click here  to see more Vinyl/SACD by Genesis]

Drums, Percussion, Lead Vocals, Backing Vocals – Phil Collins [click here to see more vinyl featuring Phil Collins]

Electric Guitar, Twelve-String Guitar – Steve Hackett

Piano, Synthesizer, Organ, Mellotron, Twelve-String Guitar, Backing Vocals – Tony Banks

Twelve-String Guitar, Bass, Pedalboard [Bass Pedals] – Mike Rutherford

Written by Tony Banks, Phil Collins, Mike Rutherford, Steve Hackett

 

1 Hybrid SACD

Original analog Master tape : YES

Stereo

Studio

Label : Analogue Productions - Atlantic 75 series

Original Label : Atlantic

Recorded October–November 1975 at Trident Studio, London

Engineered by David Hentschel, Nick 'Haddock' Bradford

Produced by David Hentschel, Genesis

Remixed by Genesis, Nick Davis

Originally released in February 1976

Reissued in 2024

 

Tracks:

  1. Dance On A Volcano
  2. Entangled
  3. Squonk
  4. Mad Man Moon
  5. Robbery, Assault & Battery
  6. Ripples
  7. A Trick Of The Tail
  8. Los Endos

               

               

              Reviews:

              "After Peter Gabriel departed for a solo career, Genesis embarked on a long journey to find a replacement, only to wind back around to their drummer, Phil Collins, as a replacement. With Collins as their new frontman, the band decided not to pursue the stylish, jagged postmodernism of The Lamb Lies Down on Broadway -- a move that Gabriel would do in his solo career -- and instead returned to the English eccentricity of Selling England by the Pound for its next effort, A Trick of the Tail.

              In almost every respect, this feels like a truer sequel to Selling England by the Pound than Lamb; after all, that double album was obsessed with modernity and nightmare, whereas this album returns the group to the fanciful fairy tale nature of its earlier records. Also, Genesis were moving away from the barbed pop of the first LP and returning to elastic numbers that showcased their instrumental prowess, and they sounded more forceful and unified as a band than they had since Foxtrot. Not that this album is quite as memorable as Foxtrot or Selling England, largely because its songs aren't as immediate or memorable: apart from "Dance on a Volcano," this is about the sound of the band playing, not individual songs, and it succeeds on that level quite wildly -- to the extent that it proved to longtime fans that Genesis could possibly thrive without its former leader in tow." AllMusic Review by Stephen Thomas Erlewine.

               

               

              Ratings:

              AllMusic : 4.5 / 5 ; Discogs : 5 / 5 ; Q : 2 / 5 ; The Rolling Stone Album Guide : 4 / 5 ; The Music Box : 3.5 / 5

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