Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic
Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33RPM, Analogue Productions) - AudioSoundMusic

Harry Belafonte - Belafonte At Carnegie Hall (2LP, 180g, 33 tours, Analogue Productions)

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Harry Belafonte (voc) [click here to see more vinyl featuring Harry Belafonte]

Millard Thomas, Raphael Boguslav (g); Norman Keenan (b); Danny Barrajanos (perc) & orchestra conducted by Robert Corman

Written by Fred Brooks (A1), Lead Belly (A2, A3), Paul Campbell (A2, A4), C.C. Carter (B1), Bill Attaway (B2), Harry Belafonte (B2, D3), Lord Burgess (B3), Lord Melody (C1), William Attaway (C2), Irving Burgie (C2), Norman Span (C3), Frederick Edward Weatherly (C5), Tomas Mendez (D1),  Harry Thomas (D3). C4 and D2 are traditional songs.


2 LPs, gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Live

Record Press :  Quality Record Pressings

Label :  Analogue Productions

Original Label : RCA

Recording: April 1959 live at Carnegie Hall, New York, by Bob Simpson

Production: Bob Bollard

Remastered by Ryan Smith at Sterling Sound

Originally released in 1959

Reissued in 2014


Tracks :

Side A :

Act 1: The Moods of the American Negro

              1.  Introduction – Darlin’ Cora

              2.  Sylvie

              3.  Cotton Fields

               4.  John Henry

               5.  Take My Mother Home

Side B :

Act 1: The Moods of the American Negro

1. The Marching Saints

Act 2: In The Caribbean

               2. Day O


               3. Jamaica Farewell


4. Man Piaba


               5. All My Trials

Side C :

Act 2: In The Caribbean               

1 Mama Look A Boo Boo

2 Come Back Liza

               3 Man Smart (woman smarter)

Act 3: Round The World

                4 Hava Nageela

                5 Danny Boy

                6  Merci Bon Dieu (From The "Haitian Suite")

Side D :

Act 3: Round The World

1 Cu Cu Ru Cu Cu Paloma

                2 Shenandoah

                3 Matilda


Awards :

Michael Fremer's 100 Recommended All-Analog LP Reissues Worth Owning - Rated 45/100!

TAS Super LP List! Best Of The Bunch: Popular


Reviews :

"Belafonte brought 'world' music to the masses, starting with 'Calypso.' ... By the time these two benefit concerts were performed on April 19th and 20th 1959, Belafonte had amassed a catalog of hits familiar to a wide swath of Americans. ... One can argue that originals are the best but not here. No way! Unlike the original pressings mastered from 2-track mix down from the 3-track original tape, Classic Records' reissue on both 33 1/3 and single-sided 45 RPM records and this new mastering are sourced directly from the 3-track tape. ... However, while I didn't think there was more to get from the tape than what Bernie Grundman got for Classic Records, I think Ryan K. Smith and the Sterling team have done just that, showcased by the utter black QRP backgrounds. ... it is among the greatest, if not the greatest live concert recordings ever made and Belafonte's and the orchestra's performances make it well-worth revisiting." Michael Fremer, AnalogPlanet.com

« The granddaddy of all live albums, this double-LP set captured the excitement of a Harry Belafonte concert at the height of his popularity. Sampled from two consecutive performances of identical material, Belafonte at Carnegie Hall was an anomaly at a time when only comedy albums were recorded outside of the studio environment. It wasn't the first live album ever made, but it was certainly the first to be a major financial and artistic success. It stayed on the best-selling album charts for over three years and remained in print until RCA discontinued pressing LPs. From the opening trumpet fanfare and brief orchestral overture to the epic 12-minute version of "Matilda" (which set a standard for audience participation), the album never lets up. It is exciting, poignant, thrilling, intimate, and at times, spontaneously hilarious. Belafonte's mastery in front of an audience was never better displayed than here, a mastery that resulted in him becoming one of the most popular concert draws in history. Producer Bob Bollard and orchestra leader Bob Corman deftly integrated the 47-piece orchestra into the performance but knew when to lie back to let Belafonte sing, accompanied by a small combo of two guitars, bass, and percussion. The concert is divided in three sections: "Moods of the American Negro," "In the Caribbean," and "Around the World." All the hits are here: "Day O," "Jamaica Farewell," "Mama Look a Boo Boo," and others, plus calypso, folk songs, chain gang songs, spirituals, and songs from other lands, representing a veritable best-of package of his first decade with RCA Victor. For sheer scope and genius of performance, this is the quintessential Belafonte package. » AllMusic Review by Cary Ginell



Ratings :

Allmusic : 5 /5 , Discogs  4,40 / 5  , Rate Your Music 3,81 / 5

Michael Fremer : Music = 10/11; Sound = 11/11


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