Redd Kross - Third Eye (Vinyle vert)
Prix habituel
€45,00
Il n'y aura pas d'expédition avant le 9 Janvier
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ORDER LIMITED TO ONE ITEM PER CUSTOMER
Jeff McDonald – vocals, guitar
Steven Shane McDonald – bass guitar, vocals
Robert Hecker – guitar, vocals
Victor Indrizzo – drums, vocals
Peter Levine – keyboards
Michael Quercio – intro guitar riff (A1)
Susan Cowsill – additional vocals (A5, B2), background vocals
Vanessa Bell Armstrong – vocal solo (B1), background vocals
Mary Bernard – background vocals
Paula Salvatore – background vocals
Brian McCloud – percussion
Charles Davis – trumpet
Gregory Alper – saxophone
1 LP, standard sleeve with lyrics insert
Limited Edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : Green
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : unspecified
Label : ORG Music
Original Label : Atlantic
Recorded at Sound City Studios
Engineered by Joe Barresi
Produced by Michael Vail Blum
Remastered by Dave Gardner at Infrasonic Mastering
Originally released in 1990
Reissued in 2018
Tracks :
Side A:
- The Faith Healer
- Annie's Gone
- I Don't Know How To Be Your Friend
- Shonen Knife
- Bubblegum Factory
- Where I Am Today
Side B:
- Zira (Call Out My Name)
- Love Is Not Love
- 1976
- Debbie & Kim
- Elephant Flares
Reviews :
"Redd Kross reached its peak in the early '80s, when the band made such humorous and clever contributions to punk rock as "Linda Blair." As the '80s progressed, Kross got away from punk and went for cleaner, less reckless alternative rock and power-pop. Those who play 1990's Third Eye next to Kross' early recordings will hear just how radically the band changed over the years. Whether rocking aggressively on "Shonen Knife," going for a very melodic "jangly guitar" approach on "Annie's Gone" and "I Don't Know How to Be Your Friend" or sounding positively Beatlesque on "Bubblegum Factory," Kross shows just how far it has come since the irreverent, freewheeling aggression of "Linda Blair." While some punk enthusiasts missed the old Kross, this decent though not outstanding album proves that the band was still worthwhile at the dawn of the '90s." AllMusic Review by Alex Henderson
Ratings :
AllMusic 4/5 , Discogs 4.32/5