The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic
The Doors - L.A. Woman (2LP, 45RPM) - AudioSoundMusic

The Doors - L.A. Woman (2LP, 45 tours)

€89,00
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[click here to see more vinyl featuring The Doors]

Jim Morrison (vocals), Ray Manzarek (keyboards), John Densmore (drums), Robby Krieger (guitar)

Written by The Doors, except C3 written by John Lee Hooker

 

2 LPs, Deluxe gatefold jacket

Original analog Master tape : YES

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : Quality Record Pressings

Label : Analogue Productions

Original Label : Elektra

Recorded December 1970 - January 1971 at The Doors Workshop, Makeshift studio, 8512 Santa Monica Blvd West Hollywood, CA 90069

Mastered by Doug Sax

Produced by Bruce Botnick, The Doors producer/engineer

Originally released in April 1971

Reissued in 2012 

 

Tracks :

Side A

  1. The Changeling
  2. Love Her Madly
  3. Been Down So Long

Side B

  1. Cars Hiss by My Window
  2. A. Woman

Side C

  1. L'America
  2. Hyacinth House
  3. Crawling King Snake

Side D

  1. The WASP (Texas Radio and the Big Beat)
  2. Riders On The Storm

 

Awards:

TAS Super LP List - Special Merit: Informal

Rolling Stone 500 Greatest Albums of All Time - Rated 364/500

One of TONEAudio Magazine's 2012 Best Audiophile Pressings

1000 Recordings you must hear before you die - Ranked 93

 

Reviews :

« The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work. The seven-minute title track was a car-cruising classic that celebrated both the glamour and seediness of Los Angeles; the other long cut, the brooding, jazzy "Riders on the Storm," was the group at its most melodic and ominous. It and the far bouncier "Love Her Madly" were hit singles, and "The Changeling" and "L'America" count as some of their better little-heeded album tracks. An uneven but worthy finale from the original quartet. » AllMusic Review by Richie Unterberger

 

Ratings :

AllMusic : 4.5 / 5 , Discogs : 4.82 / 5  ,   Rate your Music : 3.9 / 5

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