Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic
Art Van Damme - Ecstasy - AudioSoundMusic

Art Van Damme - Ecstasy

€35,00
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Accordion – Art Van Damme

Bass – Peter Witte

Drums – Charly Antolini

Guitar – Freddie Rundquist

Vibraphone – Heribert Thusek

 

1 LP, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified

Label : MPS

Original Label : SABA

Recorded at Saba-Studio, Villingen in March 1967

Engineered by Willi Fruth

Produced by Hans Georg Brunner-Schwer

Originally released in 1967

Reissued in 2018

 

Tracks:

Side A :

  1. Satin Doll
  2. Autumn in New York
  3. I Dream of Jeannie with the Long Brown Hair
  4. Blue Light and Shadows
  5. Love Walked In
  6. It Could Happen to You

Side B :

  1. Ecstasy
  2. Swanee
  3. Since I Fell for You
  4. Easy Swing
  5. Nancy

 

Reviews:

Called "The hippest cat ever to Swing an accordion", Art Van Damme was born in the small town of Norway, Michigan in 1920. The 40's and 50's saw the classically trained Van Damme revolutionize the way the accordion was played, removing it from its stereotyped role as a polka playmate; in 1947 Van Damme made the cover of the prestigious jazz magazine Downbeat and was voted “Top Accordionist” 10 years in a row. He starred on such popular American TV programs as "Today", "The Dinah Shore Show", and "The Tonight Show", and toured Europe some 40 times. With his decision to combine guitar and vibes with accordion, Van Dam’s groups developed a unique sound early-on. His recordings with MPS were some of his best, given the company's predilection of allowing the musicians a free hand. As one reviewer put it, Van Damme played "…right-hand runs with a velocity and lightness of touch that defied the presumed limitations of the instrument, consistently emphasizing the lyric contours of a melodic phrase rather than the lightning technical flourishes that led up to it."

Ecstasy, The Gentle Art of Art, and Lullaby in Rhythm were recorded in 1967-68 with the MPS "house" rhythm section at that time, German bassist Peter White, and Swiss drummer Charly Antolini. Van Damme brought along his Chicago compatriot, guitarist Freddy Rundquist, and German vibes player Herbert Thusek was added to the mix to keep the front-line guitar-vibes-accordion "Van Damme sound" intact. The three albums offer a wide range of standards played with taste and unpretentious virtuosity.

 

Ratings :

Discogs : 4,11 / 5

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