Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
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Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic
Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering) - AudioSoundMusic

Bob Seger And The Silver Bullet Band – Night Moves (Half-speed Mastering)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Bob Seger – vocals, guitar, production

Drew Abbott – guitar (A1-4, B4-5); background vocals on "Mary Lou" (B5)

Robyn Robbins – piano, organ (A1-4, B5)

Alto Reed – tenor saxophone, alto saxophone, baritone saxophone, flute (A1-4, B5)

Chris Campbell – bass (A1-4, B5); background vocals on "Mary Lou" (B5)

Charlie Allen Martin – drums, tambourine, maracas (A1-4, B5); background vocals on "Mary Lou" (B5)

Pete Carr – lead guitar, rhythm guitar, acoustic guitar, production (B1-4)

Jimmy Johnson – rhythm guitar, production (B1-4)

Barry Beckett – piano, organ, ARP synthesizer, clavinet, melodica, production (B1-4)

David Hood – bass, production (B1-4)

Roger Hawkins – drums, tambourine, maracas, congas, timpani, production (B1-4)

Jerry Luck – accordion on "Ship of Fools" (B4)

Joe Miquelon – guitar on "Night Moves" (A2)

Doug Riley – piano, organ on "Night Moves" (A2)

Sharon Lee Williams – backing vocals on "Night Moves" (A2)

Rhonda Silver – backing vocals on "Night Moves" (A2)

Laurel Ward – backing vocals on "Night Moves" (A2)

Written by Bob Seger (A1 to B2, B4), Earl Randle (B3), Willie Mitchell (B3), Young Jessie (B5), Sam Ling (B5)

 

1 LP, standard sleeve

Limited edition

Original analog Master tape : YES

Half Speed Mastering

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Victor Company of Japan

Label : MOFI

Original Label : Capitol Records

Recorded in 1976 at Pampa Studio, Michigan (A1, A3-4, B5) ; Nimbus Nine, Toronto (A2) ; Muscle Shoals Sound Studios in Sheffield, Alabama (B1-4)

Recorded by Jim Bruzzese, Brian Christian, Jerry Masters, Steve Melton, Greg Miller

Produced by Bob Seger (all tracks), Punch Andrews (A1, A3-4, B5), Jack Richardson (A2), Pete Carr (B1-4)

Mastered by Gary Giorgi, Stan Ricker

Lacquer cut by Stan Ricker at JVC Cutting Center

Originally released in October 1976

Reissued in July 1980

 

Tracks:

Side A:

  1. Rock And Roll Never Forgets
  2. Night Moves
  3. The Fire Down Below
  4. Sunburst

Side B:

  1. Sunspot Baby
  2. Mainstreet
  3. Come To Poppa
  4. Ship of Fools
  5. Mary Lou

          

        Reviews :

        “Bob Seger recorded the bulk of Night Moves before Live Bullet brought him his first genuine success, so it shouldn't come as a surprise that it's similar in spirit to the introspective Beautiful Loser, even if it rocks harder and longer. Throughout much of the album, he's coming to grips with being on the other side of 30 and still rocking. He floats back in time, turning in high-school memories, remembering when wandering down "Mainstreet" was the highlight of an evening, covering a rockabilly favorite in "Mary Lou." Stylistically, there's not much change since Beautiful Loser, but the difference is that Seger and his Silver Bullet Band -- who turn in their first studio album here -- sound intense and ferocious, and the songs are subtly varied. Yes, this is all hard rock, but the acoustic ballads reveal the influence of Dylan and Van Morrison, filtered through a Midwestern sensibility, and the rockers reveal more of Seger's personality than ever. Seger may have been this consistent before (on Seven, for example), but the mood had never been as successfully varied, nor had his songwriting been as consistent, intimate, and personal. Thankfully, this was delivered to a mass audience eager for Seger, and it not only became a hit, but one of the universally acknowledged high points of late-'70s rock & roll. And, because of his passion and craft, it remains a thoroughly terrific record years later.” AllMusic Review by Stephen Thomas Erlewine


        Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

         

        Ratings :

        AllMusic : 5 / 5 , Discogs : 4.32 / 5

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