Chet Baker - Blood, Chet And Tears

Chet Baker - Blood, Chet And Tears

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Trumpet, vocals - Chet Baker [click here to see more products featuring Chet Baker]

Guitar - Joe Pass [click here to see more products featuring Joe Pass]

Guitar - Al Casey, Mike Deasy, Tommy Tedesco

Trumpet - Tony Terran, Ray Triscari, Ollie Mitchell

Trombone - Miles Anderson, Dick Hyde

Bass trombone - George Roberts

Tenor saxophone - Plas Johnson

Reeds - Buddy Collette

Keyboards - Larry Knechtel

Electric bass - Joe Osborn, Ray Pohlman

Drums - Hal Blaine

Percussion - Gary Coleman

The Sid Sharp Strings arranged and conducted by Jerry Styner

Written by Jack Keller (A1), Diane Hildebrand (A1), Jeff Barry (A2), Andy Kim (A2),  George Harrison (A3), David Clayton-Thomas (A4), B. Thomas (A4), Jim Peterik (A5), Laura Nyro (B2), Fred Karlin (B3), Dory Previn (B3), Sonny Henry (B4), Brenda Holloway (B5), Patrice Holloway (B5), Berry Gordy (B5), Jr., Frank Wilson (B5)

 

1 LP, standard sleeve

Original analog Master Tape : YES

Heavy Press : 180g

Record Color : Black

Speed : 33 RPM

Size : 12''

Stereo

Studio

Record Press : Third Man Pressing in Detroit, MI 

Label : Verve - Verve By Request Series

Original Label : Verve

Recorded on July 6, 1970 at Sunwest Recording Studios, Hollywood, California

Engineered by Donn Landee

Produced by Jerry Styner

Liner Notes by Artt Frank

Originally released in 1970

Reissued in 2024

 

Tracks:

Side A:

1. Easy Come, Easy Go

2. Sugar, Sugar

3. Something

4. Spinning Wheel

5. Vehicle

Side B:

1. The Letter

2. And When I Die

3. Come Saturday Morning

4. Evil Ways

5. You've Made Me So Very Happy



 

Reviews :

“Some of the finest jazz artists of the 1960s and early '70s could do good "sell out" albums with mass pop appeal without actually selling out. Wes Montgomery, Grover Washington, Jr., and Herbie Mann come to mind. But these diverse musicians had a funky, groove-driven side to them that Chet Baker just doesn't possess. Blood, Chet & Tears is legendary for being one of the most shameful releases in his catalog, but the reality of the album isn't quite as bad as the legend behind it. Yes, the title is a groaner and, yes, this is an easy listening album of late-'60s soft rock hits, but to be fair -- the album isn't that bad. It's actually better than some of the Herb Alpert releases of the same era that inspired it. But the difference is that Alpert was just being himself, while Blood, Chet & Tears finds Baker trying to sound like somebody else and that's the worst thing about the album. It literally sounds like Baker is hiding his true musical personality rather than expanding upon that personality.

And when you come right down to it, that really is selling out as opposed to what George Benson and others were doing during this same period.That said, except for a bizarre version of "You've Made Me So Very Happy," the album stands up as kitschy easy listening. Interestingly enough, the same version of "Come Saturday Morning" that appears here was the theme song to The Sterile Cuckoo, a coming-of-age teen romance. "Come Saturday Morning" ended up being nominated for an Academy Award for Best Original Song. That fact, along with the one that Baker sang over the credits to a major Hollywood movie at this stage in his career, seems to have been expunged from the Chet Baker story entirely.” AllMusic Review by Nick Dedina.


 

Ratings :

AllMusic : 1.5 / 5 ; Discogs : 3.25 / 5

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