Dan Fogelberg & Tim Weisberg - Twin Sons Of Different Mothers (Vinyle Translucide)
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Dan Fogelberg – acoustic piano (A1-2, B3-5), electric guitar (A2-3, A5, B1-2, B5), percussion (A2-3, B2, B5), acoustic guitar (A3, A5, B1, B5), classical guitar (A4, B2), bass (A3, B1), voices (A3), lead vocals (A5, B4-5), ARP synthesizer (A5), mandolin (A5), slide guitar (A5), backing vocals (A5), string arrangements [click here to see more vinyl featuring Dan Fogelberg]
Tim Weisberg – flute (A1-5, B2-5), piccolo (A5, B2), percussion (B1), oboe (B3)
Neil Larsen – electric piano (A2, B2), acoustic piano (A5)
John Hug – zither (B1)
Willie Weeks – bass (A2, A5, B2)
Norbert Putnam – bass (B5)
Andy Newmark – drums (A2, A4-5, B2), Syndrum (B2)
Jim Keltner – drums (A3, B5)
Bobbye Hall – congas (A2, B2), cowbell (A2), percussion (A4)
Gary Coleman – percussion (B4)
Joe Lala – congas (B5)
David Breinenthal – bassoon (B4)
John Ellis – oboe (B4)
Earl Dumler – English horn (B4)
Vincent DeRosa – French horn (B4)
Ann Stockton – harp (B4)
Glen Spreen – string arrangements
Don Henley – harmony vocals (A5, B5)
Florence Warner – backing vocals (B5)
1 LP, Gatefold jacket, First time 12" x 12" poster insert
Limited anniversary edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : clear
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : RTI
Label : Friday Music
Original Label : Epic
Recorded in 1978 in Los Angeles, California at Village Recorders, Wally Heider Studios, United Studios, A&M Studios and Sunset Sound
Engineered & mixed by Marty Lewis
Produced by Dan Fogelberg, Tim Weisberg
Remastered by Joe Reagoso
Originally released in 1978
Reissued in 2017
Tracks:
Side A:
Side B:
Reviews:
“Much like Joni Mitchell, Dan Fogelberg, primarily a singer/songwriter, sought to continue his musical growth on this release by adding jazz to his sound. Rather than simply employing jazz musicians as his musical backing, Fogelberg here went for an all-out collaboration with jazz flutist Tim Weisberg, even to the point of having him co-produce the album. As experimental as the album appeared on the surface, it was the perfect mix of jazz-tinged instrumental music and folk- and country-inspired pop/rock. Proving that ambitious collaborations between artists who seek to mix genres needn't result in the commercial disappointment that many expect, the album yielded the hit "Power of Gold," which further augmented Fogelberg's commercial clout. The album, like its predecessor, Nether Lands, is beautifully produced, is best listened to as a complete effort, and still sounds strong all these years later.” AllMusic Review by Stephen J. Matteo
Ratings :
AllMusic : 3 / 5 , Discogs : 3,66 / 5