Ernest Chausson - Poème de l'amour et de la mer - Sasha Cooke & Yehuda Gilad (45 tours)
Prix habituel
€49,00
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Amédée Ernest Chausson - Poème de l'amour et de la mer
Sasha Cooke, mezzo-soprano
The Colburn Orchestra
Yehuda Gilad, conductor
Caitlin Kelley, concert master
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 45 RPM
Size : 12'’
Stereo
Live
Record Press : unspecified
Label : Yarlung
Original Label : Yarlung
Recorded in Zipper Hall at The Colburn School, Los Angeles on February 5-7, 2012
Engineered by Bob Attiyeh
Produced by Bob Attiyeh
Mastered by Bernie Grundman
To be released in June 2022
Tracks:
Side A:
- La fleur des eaux
- Interlude
Side B:
- La mort de l'amour
Reviews:
Opera News heralded mezzo-soprano Sasha Cooke’s debut album on Yarlung Records and described her onstage “attractive, erotic stage presence.” Writing in Opera News specifically about this recording Eric Myers continues “Chausson’s heartfelt Poème de l’Amour et de la Mer is a magnificently over-the-top work, one that can be hugely effective when performed by a singer of Cooke’s intelligence and restraint. … her voice rides beautifully atop Chausson’s churning Symbolist score.” The New Zealand Herald describes Sasha’s voice as “bewitchingly lustrous.”
Sasha’s concert and opera schedule now takes her all over the world. Sasha won her first GRAMMY® Award for Sony’s DVD release of Doctor Atomic from The Met and her second GRAMMY for The (R)evolution of Steve Jobs at Santa Fe Opera. In addition to her performances in the major concert halls and opera houses around the world, Sasha performs regularly with The English Concert conducted by Yarlung’s Special Advisor Harry Bicket.
To capture the luscious sound of Sasha Cooke and Colburn Orchestra in the wonderful acoustics of Zipper Hall at The Colburn School, we built out and doubled the size of the stage to accommodate the number of musicians. We chose two coincident Neumann U-47s for 95% of the sound and two AKG C-12s for a small amount of reinforcement for the percussion and winds. We used microphone preamplifiers made for Yarlung by Elliot Midwood. We summed into two tracks as usual, without using a mixing board, and went directly to Agfa-formula 468 tape.