Gloria Coleman Quartet - Soul Sisters
Prix habituel
€49,00
DELAIS MOYEN D'EXPEDITION : 2 A 4 JOURS OUVRES
Délais de livraison variables suivant les pays de destination
La TVA est incluse dans le prix pour les pays de l'Union Européenne, et ajustée sur la base du pays de destination au moment du paiement.
L'expédition est gratuite au sein de l'Union Européenne au dessus de 99€ d'achat, sauf pour certaines destinations, et jusqu'à 50kg. Au dessus de 50kg, frais d'expédition sur demande à contact@audiosounmusic.com. Il n'y a pas de politique de retour pour les pays hors Union Européenne.
Organ – Gloria Coleman
Guitar – Grant Green [click here to see more vinyl featuring Grant Green]
Alto Saxophone – Leo Wright
Drums – Pola Roberts
Written by Gloria Coleman Quartet
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12''
Stereo
Studio
Record Press : Third Man Pressing in Detroit
Label : Verve by Request Series
Original Label : Impulse
Recorded May 21, 1963 at Van Gelder Studio, Englewood Cliffs, NJ
Engineered by Rudy Van Gelder
Produced by Bob Thiele
Liner Notes by Stanley Dance
Photography by Bob Ghiraldini
Design by Robert Flynn, Joe Lebow
Originally released in 1963
Reissued in December 2023
Tracks :
Side A:
- Que Baby
- Sadie Green
- Hey Sonny Red
Side B:
- Melba's Minor
- Funky Bob
- My Ladies' Waltz
Reviews :
"One probably doesn't hear the name Gloria Coleman thrown around quite as often as other organists of the day. Similarly, the Impulse! label wasn't particularly known as a home for organ combos, but perhaps that's what makes this title the underappreciated gem that it is. Soul Sisters, in retrospect, would have probably made more sense as a Blue Note release, as it has much more in common with sessions like Freddie Roach's Good Move or John Patton's Along Came John than much of the Impulse! catalog. There are a couple of reasons for this. First of all, though they both worked for other labels as well, guitarist Grant Green and engineer Rudy Van Gelder -- both present on this session -- are virtually synonymous with the Blue Note sound. Green in particular, with his distinct style and patented licks, makes it easy to forget that you aren't listening to any number of different Blue Note titles. Both he and alto saxophonist Leo Wright are in fine form throughout. Unfortunately, fans expecting the blistering maelstrom of a Jimmy Smith/Art Blakey set or the syrupy blues of a John Patton/Ben Dixon session might find themselves a bit underwhelmed. Coleman, while a perfectly competent player in her own right, is simply not up to the level of Smith, Patton, Shirley Scott, or any of the other masters commonly associated with jazz organ. Then again -- and to her credit -- few are. All the same, these details shouldn't impair one's ability to enjoy this record on its own terms. Recommended for fans of the comparable titles listed above if for no other reason than to hear the consistently inspired solos of Wright." AllMusic Review by Brandon Burke
"Gloria Coleman is about as obscure as it gets; she put out a pair of albums as a leader and that’s about it. As an organist, she’s clearly below greats like Jimmy Smith and Jack McDuff; she can pound out a few chords and put together a decent solo, but lacks the inventiveness or energy of her fellow musicians. However, when you’ve stacked the deck with gifted improvisers like Grant Green and Leo Wright, you don’t have to do much more than keep the groove churning in the background and stay out of the way. Indeed, that’s what happens, and this 1963 recording is a fairly typical organ jazz album that has a couple of great soloists that raise the bar to make it worthy of attention. There isn’t anything innovative or creative, just a couple of solid ideas that have worked well in the past.
Green was always an eager participant on organ sessions, and his laid back riffing fits right at home once the groove gets going. Wright dazzles as well; a saxophonist who usually found work in other avenues, he adopts the soulful style appropriate to the setting and really digs in with some beautiful playing. The pair makes this album an unexpected treasure, and worth picking up. You won’t feel like you’ve made a discovery, but rather found an artist determined to record something you’ve heard before and always liked." All About Jazz Review by David Rickert
Rating:
AllMusic : 3 / 5 ; Discogs : 4.17 /5