Grayson Capps - volume 1 (D2D, 200g) - AudioSoundMusic
Grayson Capps - volume 1 (D2D, 200g) - AudioSoundMusic
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Grayson Capps - volume 1 (D2D, 200g) - AudioSoundMusic
Grayson Capps - volume 1 (D2D, 200g) - AudioSoundMusic

Grayson Capps - volume 1 (D2D, 200g)

€29,00
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Vocals, Guitar – Grayson Capps

Bass – Christian Grizzard

Drums – John Milham

Guitar – Corky Hughes

Keyboards – Chris Spies


1 LP, standard sleeve

Direct-to-Disc recording

Heavy Press : 200g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Quality Record Pressings

Label : APO Records

Original Label : APO Records

Recorded at Blue Heaven Studios, Salina, Kansas

Engineered by Katsu Naito

Produced by Chad Kassem

Remastered by Kevin Gray

Released in 2011

 

Tracks:

Side A :

  1. Jane's Alley Blues
  2. John the Dagger
  3. The Battles Is Over

 

Side B :

  1. Give It To Me
  2. Chief Seattle
  3. Coconut Moonshine

 

 

Reviews :

“…Grayson Capps is alive and well and slowly building one of the most phenomenal songbooks in America today. If ever there were a cat primed to pick up where Lowell George and John Prine have left off, it’s Capps.” — Jambase

Having drawn comparisons to the likes of Tom Waits, Townes Van Zandt and Drive By Truckers, to name but a few, Grayson Capps proves an artist equally singular in vision as those to whom he’s compared. He doesn’t always paint the prettiest pictures or offer a gleamy white smile, but he does reach down deep to remind us of our own humanity. Capps descends from the celebrated American Southern literary tradition and his songs deal with the South and the idiosyncrasies of its people, landscapes and tempos. 

His backing band, The Lost Cause Minstrels, comprises some of the finest players on today’s Gulf Coast music scene, including Corky Hughes on guitar, Chris Spies on keys, Christian Grizzard on bass and John Milham on drums. 

Direct-to-disc (D2D) recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).

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