Johnny Cash – At Folsom Prison (Hybrid SACD, Limited Numbered Edition) - Audiophile
Johnny Cash – At Folsom Prison (Hybrid SACD, Limited Numbered Edition) - Audiophile
Johnny Cash – At Folsom Prison (Hybrid SACD, Limited Numbered Edition) - Audiophile
Johnny Cash – At Folsom Prison (Hybrid SACD, Limited Numbered Edition) - Audiophile

Johnny Cash – At Folsom Prison (Hybrid SACD, Ultradisc UHR)

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Vocals, guitar, harmonica – Johnny Cash [click here to see more vinyl featuring Johnny Cash]

Vocals – June Carter

Backing vocals – The Carter Family, The Statler Brothers

Bass – Marshall Grant

Drums – W.S. Holland

Electric guitar – Carl Perkins, Luther Perkins

Written by Johnny Cash, Merle Travis, Roy Cash , T.J Arnall, Shel Silverstein, Ervin T. Rouse, Danny Dill, Marijohn Wilkin, Harlan Howard, Jack Clement, Gaby Rodgers , Billy Edd Wheeler, Charlie Williams, June Carter Cash, Glen Sherley, G. Sherley 

 

1 Hybrid SACD, Ultradisc UHR

Limited to 3,000 numbered copies

Stereo

Live

Label : MOFI

Original Label : Columbia

Recorded January 13, 1968 at Folsom State Prison, Folsom, California

Engineered by Bob Breault, Bill Britain

Produced by Bob Johnston

Liner Notes by Johnny Cash

Photography Jim Marshall

Originally released in May 1968

Reissued in 2024

 

Tracks:

  1. Folsom Prison Blues
  2. Dark as the Dungeon
  3. I Still Miss Someone
  4. Cocaine Blues
  5. 25 Minutes to Go
  6. Orange Blossom Special
  7. The Long Black Veil
  8. Send a Picture of Mother
  9. The Wall
  10. Dirty Old Egg-Suckin' Dog
  11. Flushed from the Bathroom of Your Heart
  12. Jackson
  13. Give My Love to Rose
  14. I Got Stripes
  15. Green, Green Grass of Home
  16. Greystone Chapel

     

    Awards: 

    Rolling Stone 500 Greatest Albums of All Time - Ranked 164 / 500

     

    Reviews :

    "Folsom Prison looms large in Johnny Cash's legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail. Surely, this dark outlaw stance wasn't a contrivance but it was an exaggeration, with Cash creating this image by tailoring his set list to his audience of prisoners, filling up the set with tales of murder and imprisonment -- a bid for common ground with the convicts, but also a sly way to suggest that maybe Cash really did shoot a man in Reno just to watch him die. Given the cloud of death that hangs over the songs on At Folsom Prison, there's a temptation to think of it as a gothic, gloomy affair or perhaps a repository of rage, but what's striking about Cash's performance is that he never romanticizes either the crime or the criminals: if anything, he underplays the seriousness with his matter-of-fact ballad delivery or how he throws out wry jokes. Cash is relating to the prisoners and he's entertaining them too, singing "Cocaine Blues" like a bastard on the run, turning a death sentence into literal gallows humor on "25 Minutes to Go," playing "I Got Stripes" as if it were a badge of pride. Never before had his music seemed so vigorous as it does here, nor had he tied together his humor, gravity, and spirituality in one record. In every sense, it was a breakthrough, but more than that, At Folsom Prison is the quintessential Johnny Cash album, the place where his legend burns bright and eternal." AllMusic Review by Stephen Thomas Erlewine.

      

    Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

     

    Ratings :

    AllMusic : 5 / 5 ; Rolling Stone : 4 / 5 ; Rolling Stone Album Guide : 5 / 5 ; Discogs : 4.4 / 5 ; Pitchfork : 9.7 / 10 ; PopMatters : 10 / 10

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