Miles Davis - Sketches of Spain (Hybrid SACD, Limited Numbered Edition) - Audiophile
Miles Davis - Sketches of Spain (Hybrid SACD, Limited Numbered Edition) - Audiophile
Miles Davis - Sketches of Spain (Hybrid SACD, Limited Numbered Edition) - Audiophile
Miles Davis - Sketches of Spain (Hybrid SACD, Limited Numbered Edition) - Audiophile

Miles Davis - Sketches of Spain (Hybrid SACD, Ultradisc UHR)

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Miles Davis, trumpet, flugelhorn [click here to see more products featuring Miles Davis]

Danny Bank, bass clarinet

Bill Barber, tuba

John Barrows, French horn

Albert Block, flute

James Buffington, French horn

Eddie Caine, flute, flugelhorn

Paul Chambers, bass [click here to see more products featuring Paul Chambers]

Earl Chapin, French horn

Jimmy Cobb, drums [click here to see other products featuring Jimmy Cobb]

Johnny Coles, trumpet

Harold Feldman, clarinet, flute, oboe

Bernie Glow, trumpet

Dick Hixon, trombone

Elvin Jones, percussion [click here to see more products featuring Elvin Jones]

Taft Jordan, trumpet

Jack Knitzer, bassoon

Jose Mangual, percussion

Jimmy McAllister, tuba

Tony Miranda, French horn

Louis Mucci, trumpet

Romeo Penque, oboe

Janet Putnam, harp

Frank Rehak, trombone

Ernie Royal, trumpet

Joe Singer, French horn

Gil Evans, arranger, conductor [click here to see more products featuring Gil Evans]


1 Hybrid SACD, Ultradisc UHR

Limited numbered edition

Stereo

Studio

Label : MOFI

Original Label : Columbia

Recorded November 15 & 20, 1959 and March 10, 1960 at CBS 30th Street Studio, New York City

Engineered by Larry Keyes, Ray Moore

Produced by Teo Macero

Remastered by Krieg Wunderlich

Originally released in 1960

Reissued in 2012

 

Tracks:

  1. Concierto de Aranjuez (Adagio)
  2. Will O' the Wisp
  3. The Pan Piper
  4. Saeta
  5. Solea


Awards:

Rolling Stone 500 Greatest Albums of All Time - Rated 358/500

1961 Grammy Award for Best Jazz Composition of More Than Five Minutes Duration

 

Reviews :

"Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements. Recorded between November 1959 and March 1960 -- after Coltrane and Cannonball Adderley had left the band -- Davis teamed with Canadian arranger Gil Evans for the third time. Davis brought Evans the album's signature piece, "Concierto de Aranjuez," after hearing a classical version of it at bassist Joe Mondragon's house. Evans was as taken with it as Davis was, and set about to create an entire album of material around it. The result is a masterpiece of modern art. On the "Concierto," Evans' arrangement provided an orchestra and jazz band -- Paul Chambers, Jimmy Cobb, and Elvin Jones -- the opportunity to record a classical work as it was. The piece, with its stunning colors and intricate yet transcendent adagio, played by Davis on a flügelhorn with a Harmon mute, is one of the most memorable works to come from popular culture in the 20th century. Davis' control over his instrument is singular, and Evans' conducting is flawless. Also notable are "Saeta," with one of the most amazing technical solos of Davis' career, and the album's closer, "Solea," which is conceptually a narrative piece, based on an Andalusian folk song, about a woman who encounters the procession taking Christ to Calvary. She sings the narrative of his passion and the procession -- or parade -- with full brass accompaniment moving along. Cobb and Jones, with flamenco-flavored percussion, are particularly wonderful here, as they allow the orchestra to indulge in the lushly passionate arrangement Evans provided to accompany Davis, who was clearly at his most challenged here, though he delivers with grace and verve. Sketches of Spain is the most luxuriant and stridently romantic recording Davis ever made. To listen to it in the 21st century is still a spine-tingling experience, as one encounters a multitude of timbres, tonalities, and harmonic structures seldom found in the music called jazz." AllMusic Review by Thom Jurek

 

Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4,46 / 5

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