Paul Simon - Still Crazy After All These Years (Hybrid SACD, Ultradisc UHR) - Audiophile
Paul Simon - Still Crazy After All These Years (Hybrid SACD, Ultradisc UHR) - Audiophile
Paul Simon - Still Crazy After All These Years (Hybrid SACD, Ultradisc UHR) - Audiophile
Paul Simon - Still Crazy After All These Years (Hybrid SACD, Ultradisc UHR) - Audiophile

Paul Simon - Still Crazy After All These Years (Hybrid SACD, Ultradisc UHR)

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Paul Simon – vocals, acoustic guitar, electric guitar, horn and string arrangements [click here to see more Vinyl / SACD  featuring Paul Simon]

Art Garfunkel – vocals [click here to see more Vinyl / SACD featuring Art Garfunkel]

John Tropea – electric guitar

Patti Austin – background vocals

Phoebe Snow – background vocals, vocals

Joe Beck – electric guitar

Michael Brecker – tenor saxophone, saxophone

Bob James – piano, Fender Rhodes piano, string and horn arrangements

David Sanborn – saxophone 

Grady Tate – drums 

Pete Carr – electric guitar 

Sivuca – accordion and vocals 

Ralph MacDonald – percussion 

Chicago Community Choir – background vocals

Barry Beckett, Fender Rhodes - piano 

Eddie Daniels – saxophone 

Gordon Edwards – bass guitar 

Jerry Friedman – electric guitar 

Steve Gadd – drums

Roger Hawkins – drums 

David Hood – bass guitar 

The Jessy Dixon Singers – background vocals

Tony Levin – bass guitar 

Hugh McCracken – electric guitar, acoustic guitar 

Leon Pendarvis – piano 

Dave Mathews – horn arrangements

Valerie Simpson – background vocals

Richard Tee – piano 

Toots Thielemans – harmonica

Phil Woods – alto saxophone

Kenneth Ascher – Hammond organ, Fender Rhodes, piano 

 

1 Hybrid SACD, Ultradisc UHR

Limited to 2,500 numbered copies

Original analog Master tape : YES

Stereo

Studio

Label : MOFI

Original Label : Columbia

Recorded at A&R Recording, New York City in 1975 by Phil Ramone

Produced by Paul Simon & Phil Ramone

Mastered by Shawn R. Britton

Originally released in 1975

Reissued in 2021

 

Tracks:

  1. Still Crazy After All These Years
  2. My Little Town
  3. I Do It For Your Love
  4. 50 Ways To Leave Your Lover
  5. Night Game
  6. Gone At Last
  7. Some Folks' Lives Roll Easy
  8. Have A Good Time
  9. You're Kind
  10. Silent Eyes

 

Awards :

Grammy Awards for Album of the Year and Best Male Pop Vocal Performance

 

Reviews :

"The third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks ("My Little Town" and "Still Crazy After All These Years") with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another ("Gone at Last") returned to the gospel style of earlier songs like "Loves Me Like a Rock." Of course, "My Little Town" also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on "50 Ways to Leave Your Lover," which became the biggest solo hit of Simon's career. But elsewhere, as on "Have a Good Time," the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance." AllMusic Review by William Ruhlmann


Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

 

Ratings :

AllMusic : 4,5 / 5 , Discogs : 4,07 / 5

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