Weepin' Willie - At Last On Time - AudioSoundMusic
Weepin' Willie - At Last On Time - AudioSoundMusic
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Weepin' Willie - At Last On Time - AudioSoundMusic
Weepin' Willie - At Last On Time - AudioSoundMusic

Weepin' Willie - At Last On Time

€45,00
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Vocals - "Weepin' Willie Robinson" (William Lorenzo Robinson)

Bass – Tim Ingles

Drums – Jim Arnold

Keyboards, Piano – George PapaGeorge

Electric Guitar – Jimmy D. Lane (A3)

Electric Guitar, Lead Vocals – Susan Tedeschi (A2, B1, B5)

Lead Vocals – Mighty Sam McClain (A5,B1, B4-5)

Tenor Saxophone – Chuck Langford (B2, B4)

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified

Label : APO

Original Label : APO

Originally released in 1999

Reissued in 2009

 

Tracks:

Side A :

  1. Love Call
  2. Fever
  3. Can't Go Wrong Woman
  4. Big Mary's House
  5. They Call Me Weepin' Willie / Mighty Mighty

Side B:

  1. Glory Train
  2. At Last, On Time
  3. Dirty Old Man
  4. Weepin Willie Boogie
  5. Love Me If You Want To
  6. Let The Good Times Roll

 

Reviews:

“Weepin' Willie's long-awaited debut album (he was 72 when he recorded it) finally got made thanks to the efforts of Mighty Sam McClain, who co-produced the session, wrote or co-wrote five of the songs, and sang on three. Although Willie waited 50 years to record this album, At Last, On Time certainly doesn't sound like it was 50 years in the making -- McClain rather hastily steers Willie's sound in more of a soul/R&B direction, which seems to have left Willie relying on the arrangements instead of his usual blues instincts. Still, Willie manages to find his stride here, especially on the slow blues numbers "Dirty Old Man," "They Call Me Weepin' Willie," and "Can't Go Wrong Woman," the latter featuring Jimmy D. Lane on lead guitar. The other special guest on this album is Susan Tedeschi, whose overpowering vocal histrionics, unfortunately, tend to clash with Willie's subtler, dapper style of singing; furthermore, when McClain chimes in on "Glory Train" and "Let the Good Times Roll," Willie's voice all but gets lost in the threesome. Perhaps Willie didn't get as much room to stretch out as he would have liked, but his performance on At Last, On Time nonetheless comes off as pretty solid.” AllMusic Review by Ken Chang

 

Ratings :

AllMusic : 3 / 5 , Discogs : 4,4 / 5

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