Yes - 90125 (Hybrid SACD) - Audiophile
Yes - 90125 (Hybrid SACD) - Audiohile
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Yes - 90125 (Hybrid SACD) - Audiophile
Yes - 90125 (Hybrid SACD) - Audiohile

Yes - 90125 (Hybrid SACD)

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Yes [click here to see more Vinyl / SACD from Yes] :

  • Jon Anderson – vocals
  • Trevor Rabin – guitars, keyboards, vocals
  • Chris Squire – bass guitars, vocals
  • Tony Kaye – Hammond organ, electric piano
  • Alan White – drums, percussion, backing vocals, Fairlight CMI

Additional musicians:

  • Deepak Khazanchi  – sitar and tanpura 
  • Graham Preskett  – violin 

Written by Trevor Rabin, Alan White, Chris Squire, Jon Anderson, Tony Kaye , Trevor Horn

 

1 Hybrid SACD

Original analog Master tape : YES

Stereo

Studio

Label : Analogue Productions - Atlantic 75 series

Original Label : Atlantic

Recorded November 1982 – July 1983 at SARM and AIR Studios,  London

Engineered by Gary Langan

Produced by Trevor Horn

Mastered by Kevin Gray at Cohearent Audio

Originally released in November 1983

Reissued in May 2024

 

Tracks:

  1. Owner of a Lonely Heart
  2. Hold On
  3. It Can Happen
  4. Changes
  5. Cinema
  6. Leave It
  7. Our Song
  8. City of Love
  9. Hearts

 

Awards:

1985 Grammy Award Winner: Best Rock Instrumental Performance: "Cinema"

 

Reviews :

“A stunning self-reinvention by a band that many had given up for dead, 90125 is the album that introduced a whole new generation of listeners to Yes. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots. "Owner of a Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points, but there's nary a duff track on the album.” AllMusic Review by Paul Collins

 

Ratings :

Allmusic : 4.5 / 5 , Discogs  4.9 / 5

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